Archived posting to the Leica Users Group, 2010/09/23

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Subject: [Leica] Salgado S2 now DR contrast
From: chs2018 at med.cornell.edu (Chris Saganich)
Date: Thu, 23 Sep 2010 12:41:02 -0400
References: <p06240803c8c0158f06c7@[192.168.1.107]> <C8BFF339.3DE2%mark@rabinergroup.com>

Yea, contrast is a light thing.  I keep proper hoods on always and it 
helps.  Here are some examples of DR images of varying contrast the 
only difference being the light and exposure as I use the same film 
and processing.


http://www.imagebrooklyn.com/street_pages_2010/bs026.htm

http://www.imagebrooklyn.com/street_pages_2010/bs029.htm

http://www.imagebrooklyn.com/Family%20Album/Friends%20Family%20Pages/FF%20284.htm

http://www.imagebrooklyn.com/Family%20Album/Friends%20Family%20Pages/FF%20274.htm

Similar era Elmarit 50mm/2.8

http://www.imagebrooklyn.com/Family%20Album/Friends%20Family%20Pages/FF%20298.htm

http://www.imagebrooklyn.com/Family%20Album/Friends%20Family%20Pages/FF%20297.htm



At 05:54 PM 9/22/2010, you wrote:



>I agree A lower contrast lens is "poorly implemented".
>In most cases though its an old lens from many previous decades which people
>are loving the characteristics of through the filter of their nostalgia.
>The lens is just old. In many cases needs to be cleaned.
>In modern terms its just a lower end lens. A lens in which less money has
>been invested. In older terms a lens with no or more privative coatings and
>with a more primitive optical design from what they knew then with more
>privative glass choice possibilities. And no pocket calculators helping them
>out.
>
>To make an image from a lower contrast optic means we have to jack up the
>contrast in the end. Resulting in more grain or noise. We then deal with
>that.
>
>Lower contrast optics are lovingly descried as "easier to print" but I've
>always found them more difficult to print as I've said above..  And I've
>seen few actually examples of these "easier to print" lenses on my screen or
>in hand.
>
>I'm not sure if the Leica M 50/2 Dual Range Summicron is a classic example
>of a lower contrast optic or not. I don't think low contrast is the defining
>characteristic of this lens. I think it has a bundle of positive attributes
>and may be a tad low in the contrast end. I'd love to be using one.
>
>--------------------
>Mark William Rabiner
>Photography
>mark at rabinergroup.com
>
>
> > From: Herbert Kanner <kanner at acm.org>
> > Reply-To: Leica Users Group <lug at leica-users.org>
> > Date: Wed, 22 Sep 2010 13:29:20 -0700
> > To: Leica Users Group <lug at leica-users.org>
> > Subject: Re: [Leica] Salgado S2
> >
> > As someone who was once a physicist before I went really wrong and
> > became an incompetent computer programmer (Physics Ph.D. 1951, U. of
> > Chicago) I want to comment on what could make a "low contrast lens".
> > A lens per se cannot manipulate contrast, it merely refracts what is
> > there. But miscellaneous scattered light not coming from the image
> > will reduce contrast as if the film (or sensor) had been exposed to a
> > low level of miscellaneous distributed light before or after the
> > actual taking of the picture. It is the same phenomenon that we try
> > to avoid by using a lens hood: scattered light inside the lens. So,
> > in my opinion, a "low contrast lens" is just a poorly implemented
> > lens: failure to coat internal elements, shiny internal structural
> > parts, whatever.
> >
> > Herb
> >
> >
> >
> >> If Salgato is looking for a  "low contrast lens" then it would have been
> >> better he took some photo courses instead of economic courses As that's
> >> photo dumb stuff 101. He's thinking a "low contrast lens" will 
> give him more
> >> latitude he's wrong. Presumptuous of me to say? Well you do hear some 
> >> real
> >> misconceptions about basic photo craft coming from some top 
> level people old
> >> timers or young timers.  People who go to school to methodically study
> >> something but when they switch to photography when they get out 
> they decide
> >> they're just going to be self taught deal. With photography 
> being mainly an
> >> avocation  or self taught vocation there's going to be lots of wrong 
> >> stuff
> >> floating around. And now we have the internet.
> >>
> >> --------------------
> >> Mark William Rabiner
> >> Photography
> >> mark at rabinergroup.com
> >>
> >>
> >>> From: Richard Man <richard at imagecraft.com>
> >>> Reply-To: Leica Users Group <lug at leica-users.org>
> >>> Date: Tue, 21 Sep 2010 22:23:01 -0700
> >>> To: Leica Users Group <lug at leica-users.org>
> >>> Subject: Re: [Leica] Salgado S2
> >>>
> >>> Heh, my summary of the talk I attended by Mr. Salgado a couple 
> years which
> >>> has pretty much the exact information is still my most popular blog 
> >>> post.
> >>> People still find it and link to it...
> >>>
> >>> There is no evidence that he has switch to the S2... yet. He said he is
> >>> looking for "low contrast" lens so I'm not sure whether the S2 lens 
> >>> would
> >>> do...
> >>>
> >>> On Tue, Sep 21, 2010 at 10:15 PM, Mark Rabiner
> >> <mark at rabinergroup.com>wrote:
> >>>
> >>>> " On a more technical front, Sebastiao Salgado spoke about film vs.
> >>>> digital.
> >>>> He no longer shoots with film as the reasons to go digital 
> mounted up.?The
> >>>> silver in current medium format films, are currently at levels that 
> >>>> 35mm
> >>>> was
> >>>> 25 years ago.?The 600 rolls of 220 he carried on shoots weighed about 
> >>>> 60
> >>>> lbs.?After 9/11 the security checkpoint that he goes through 
> with exposed
> >>>> film (he told us 7 on the last trip) has affected the grain and
> >> contrast of
> >>>> the exposed film.?Plus there was the inevitable fight at each
> >> checkpoint to
> >>>> hand check the film. His assistant almost quit on his last trip from 
> >>>> the
> >>>> constant battles.?So now it's a Canon DSLR for him. 21 
> megapixels strong.
> >>>> But he is also looking at that new LeicaS2 with 37 megapixels.?And his
> >>>> "film"? about 1.5 lbs of cards."
> >>>>
> >>>>
> >>>>
> >> 
> http://www.examiner.com/photography-in-national/sebastiao-salgado-the-genesi
> >>>>
> >> 
> s-project<http://www.examiner.com/photography-in-national/sebastiao-salgado-t>>>>
>  
> he-genesi%0As-project>
> >>>> Or
> >>>> http://tinyurl.com/365nozf
> >>>>
> >>>>
> >>>>
> >>> --
> >>> // richard <http://www.imagecraft.com/>
> >>> // icc blog: <http://imagecraft.wordpress.com>
> >>> // photo blog: <http://www.5pmlight.com>
> >>> [ For technical support on ImageCraft products, please include 
> all previous
> >>> replies in your msgs. ]
> >>>
> >>> _______________________________________________
> >>> Leica Users Group.
> >>> See http://leica-users.org/mailman/listinfo/lug for more information
> >>
> >>
> >>
> >> _______________________________________________
> >> Leica Users Group.
> >> See http://leica-users.org/mailman/listinfo/lug for more information
> >
> > --
> > Herbert Kanner
> > kanner at acm.org
> > 650-326-8204
> >
> > Do not meddle in the affairs of cats,
> > for they are subtle and will pee
> > on your computer!
> >
> > _______________________________________________
> > Leica Users Group.
> > See http://leica-users.org/mailman/listinfo/lug for more information
>
>
>
>_______________________________________________
>Leica Users Group.
>See http://leica-users.org/mailman/listinfo/lug for more information

Chris Saganich MS, CPH
Senior Physicist, Office of Health Physics
Weill Medical College of Cornell University
New York Presbyterian Hospital
chs2018 at med.cornell.edu
http://intranet.med.cornell.edu/research/health_phys/
Ph. 212.746.6964
Fax. 212.746.4800
Office A-0049


Replies: Reply from philippe.amard at sfr.fr (philippe.amard) ([Leica] Salgado S2 now DR contrast)
Reply from steve.barbour at gmail.com (Steve Barbour) ([Leica] Salgado S2 now DR contrast)
In reply to: Message from kanner at acm.org (Herbert Kanner) ([Leica] Salgado S2)
Message from mark at rabinergroup.com (Mark Rabiner) ([Leica] Salgado S2)