Archived posting to the Leica Users Group, 2000/04/29
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Dear LUGgers, Last week I visited the World Press Photo exhibition, which is held in Amsterdam since 1956. This year's show is an extraordinairy event, as much as because of prize winner Claus Bjorn Larsen's pictures as well as for the 1965-2000 retrospect. They have a, slow, webpage: see bottom of this mail. I was extremely moved by Larsen's B&W pictures of Kosovo. The best are the close-ups of people, like the prize winning picture itself. A strong sense of movement, very graphical and full of emotion. Captivating! In his commentary Larsen tells that in Kosovo there were so may photographers that he had to do something to stand apart with his pictures. What he did is change over to B&W, leave behind what he calls his tigh tech, and use " simple standard gear". Go very close to the people, talk with them, see in there eyes. Needless to see he used a Leica M6 with lenses between 24 and 50 mm, and so produced some great example of what we call street photography. The retrospect exhibition is extremely interesting because it shows the changes in press photography in those 45 years. From B& W, rather stand offish and formal work in the early years, to the cluttered and sometimes banal color work of the years 80 and 90, and then back to B&W in the present time, close up to the subject, lots of concern, but also very graphical. It is also interesting to see that some photographers, like Salgado with his moving but also elegant Ethiopean drought refugees, heralded the present trend already in 1984. And perhaps so did Eddie Adams in 1968 with his picture of General Nguyen Loan shooting the Vietcong on the street. One could say, also seeing this years exhibition, that B&W is more suited to convey emotion and a sense of involvment, and color works better for pictures of art, science and nature. See the World Press Photo webpage for more information: http://www.worldpressphoto.nl/ Sander van Hulsenbeek Amsterdam Holland