Archived posting to the Leica Users Group, 2022/04/19

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Subject: [Leica] From my fith film of the year
From: jassechan at gmail.com (Jasse Chan)
Date: Tue, 19 Apr 2022 11:45:14 -0400
References: <490DAE42-4226-40D5-BB3A-22E1DAD2BCC2@gmail.com>

Dear Lluis!

It's wonderful to see you sharing your images again!

I liked them all.  What a great collection!

Loneliness is great because you showed all the empty seating around the
individual.

Je pense peu was great - because of her expression

Ready for the Kiss and Moment need to be paired!  Your pictures capture the
individuality of the couple.

Pedestrians - my eye was drawn to the detail of the cobblestone, and the
shoes and the shadows - I believe that was what you were going for.

Observing - I love seeing younger people wearing Doc Marten Boots!

I hope you are well.

cheers
jasse

On Tue, Apr 19, 2022 at 11:24 AM Lluis Ripoll via LUG <lug at 
leica-users.org>
wrote:

>
> All these with Leica M6, Summicron 50 IV, Tri-X, D-23 1:1
>
> Observing
> <http://gallery.leica-users.org/v/luisrq/Barcelona/2022F040102.jpg.html>
>
> Pedestrians
> <http://gallery.leica-users.org/v/luisrq/Barcelona/2022F040104.jpg.html>
>
> The moment
> <http://gallery.leica-users.org/v/luisrq/Barcelona/2022F040110.jpg.html>
>
> Ready for the kiss
> <http://gallery.leica-users.org/v/luisrq/Barcelona/2022F040111.jpg.html>
>
> Silent companionship
> <http://gallery.leica-users.org/v/luisrq/Barcelona/2022F040121.jpg.html>
>
> Je pense peu (This was the nickname of She on Instagram)
> <http://gallery.leica-users.org/v/luisrq/Barcelona/2022F040123.jpg.html>
>
> Loneliness
> <http://gallery.leica-users.org/v/luisrq/Barcelona/2022F040107.jpg.html>
>
> Thanks for looking, your c&c are welcome
>
> Saludos cordiales
> Lluis
>
>
> _______________________________________________
> Leica Users Group.
> See http://leica-users.org/mailman/listinfo/lug for more information
>


-- 
Jasse Chan

jassechan at gmail.com


In reply to: Message from lluisripollphotography at gmail.com (Lluis Ripoll) ([Leica] From my fith film of the year)