Archived posting to the Leica Users Group, 2019/07/01

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Subject: [Leica] In the Museums
From: lluisripollphotography at gmail.com (Lluis Ripoll)
Date: Tue, 2 Jul 2019 01:01:49 +0200
References: <CANYyKx_8-OTPy1Oc=SQyjDrStEqPsUiqZwpK2zthK0DH-2VZQg@mail.gmail.com>

Thank you Alan! Your suggesttion is good one, relatively easy to do with 
digitalwork, very difficult in the darkroom?
Lluis


> El 29 juny 2019, a les 6:15, Alan Magayne-Roshak <amr3 at uwmalumni.com> 
> va escriure:
> 
> On Fri, 28 Jun 2019 Lluis Ripoll <lluisripollphotography at 
> gmail.com>wrote:
> 
>> In the MNAC (Art National Museum of Catalonia)
>> <http://gallery.leica-users.org/v/luisrq/Miscellaneous/2019F060415.jpg.html
>> 
>> Leica MP, Summilux 35 pre, Ilford FP4 E.I. 100, D-23  1:1
> 
>> Thanks for looking, your c&c are welcome
> 
>> Saludos cordiales
>> Lluis
> ======================================================================
> Oh, how I wish the painter's profile had separation from the easel.  It
> would be super then,
> instead of just good.
> -- 
> Alan
> 
> Alan Magayne-Roshak, Senior Photographer
> University of Wisconsin-Milwaukee Photo Services
> (Retired)
> UPAA Photographer of the Year 1978
> UPAA Master of the Profession 2014
> amr3 at uwm.edu
> http://gallery.leica-users.org/v/Alan+Magayne-Roshak/
> 
> "All the technique in the world doesn't compensate
> for an inability to notice. " - Elliott Erwitt
> 
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In reply to: Message from amr3 at uwmalumni.com (Alan Magayne-Roshak) ([Leica] In the Museums)