Archived posting to the Leica Users Group, 2015/06/07
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Another option is TrueGrain, a stand-alone program (grubbasoftware.com). It uses the grain from blank scanned film stock, as opposed to digital grain. Here are some from one of San Francisco's ritzier areas last month, converted from raw files in TrueGrain as TX Pro. There are a number of adjustments for spectral response, dynamic range and grain. Ken http://gallery.leica-users.org/v/kcarney/_DSF1475saloon.jpg.html http://gallery.leica-users.org/v/kcarney/_DSF1478river.jpg.html http://gallery.leica-users.org/v/kcarney/_DSF1508Dwellers.jpg.html On 6/6/2015 11:59 AM, Robert Adler wrote: > It depends... > If YOU want control, Photoshop. If you don't want control, JPEG from your > camera (but PLEASE be sure to shoot RAW + JPEG!). If you like surprises the > printer. > I'll let you guess which path I take... > Bob > Retired Controller... > > > On Sat, Jun 6, 2015 at 8:46 AM, Stan Yoder <s.yoder at comcast.net> wrote: > >> Folks, Which is the better way to convert color to B/W: in Photoshop, in >> the printer, or use the B/W provision of the camera (M240) in the first >> place? I don't need the high-end solutions of specialized software or >> inks. >> >> TIA, >> Stan Yoder >> >> >> >> _______________________________________________ >> Leica Users Group. >> See http://leica-users.org/mailman/listinfo/lug for more information >> > >