Archived posting to the Leica Users Group, 2014/04/13
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Grain quality. If we can see it in a darkroom print but have said goodbye to it when we scan it than that is really a low rez scan. The idea that each film grain equals a digital pixel and that somehow equates in any real way seems logical perhaps at first but on further thought does not even begin to cut it. It takes really many pixels to surround a film analog grain turn it into a digital reality. So we can look closely and see the grain quality just like on the darkroom print. To me that's when we have archived film digitally. And can then make a large inkjet that would equal a silver print technically and esthetically. For a scanner to really get my attention it has to be able scan the grain in film so that each grain particle is accurately delineated as an entity to itself. Otherwise you've shot a picture of a brick wall and you don't care that you can't see the bricks. You also gotta see the mortar. When you pixel peep it at least. The COOLSCAN 5000 ED which I have approaches this though a drumscan certainly achieves this. In film each analog grain particle and the spaces in between are the building blocks of an analog image and to replicate this digitally I feel it has to be done at this level. Without the ability to scan on the grain level what we end up with is Interpolation. Just like when we change the resolution of a digital file from one size to another or change the viewing size on our screen. ... Only on a analog grain to pixel level instead of a pixel to pixel level. -- Mark William Rabiner Photographer http://gallery.leica-users.org/v/lugalrabs/