Archived posting to the Leica Users Group, 2013/09/04

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Subject: [Leica] One camera, one lens
From: philippe.amard at sfr.fr (philippe.amard)
Date: Wed, 4 Sep 2013 19:30:15 +0200
References: <CABXy405XT4BZ8mkOXAd_NiBP+Eh9M=CGviWx3NJUoOrYPaXyFg@mail.gmail.com>

HCB for the geometries
Wonderful colours

thanks for the link

Amiti?s
Philippe

Le 4 sept. 13 ? 19:10, Ken Iisaka a ?crit :

> The New York Times recently ran an article about Jerome Delay,  
> chronicling
> the humanitarian struggles in Mali.
>
> What made this particularly interesting, at least to me, that his  
> equipment
> is utterly simple: one camera, and one 50/1.4 lens.
>
> Perusing through his work, the most remarkable aspect of his images  
> is the
> transparency and immediacy. With the "normal" perspective that the  
> lens
> provides, it removes all distractions such as geometric distortion,
> perspective exaggerations, and peeping-tom voyeurism so prevalent on
> today's pages.
>
> These images speak very powerfully, not because of the super-high-tech
> (which it is) wizardry, but how distractions caused by unnatural
> perspectives are eliminated. Yet, his works have depth and focus  
> that many
> other photographers try to create using super-wide or super-tele  
> lenses.
> Even the crooked horizon in a couple of of the photographs isn't
> distracting.
>
> http://lens.blogs.nytimes.com/2013/09/04/the-lens-is-standard-the-photos-anything-but/
>
>
> -- 
> Ken Iisaka
> first name at last name dot org or com
>
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One sees clearly only with the heart. What is essential is invisible  
to the eye. Antoine de Saint Exup?ry in Le Petit Prince.
NO ARCHIVE






In reply to: Message from ken at iisaka.com (Ken Iisaka) ([Leica] One camera, one lens)