Archived posting to the Leica Users Group, 2010/11/13
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Shadows are the way we see things, the way we recognize people and they have meaning beyond that, knowing the preconceptions that come with the amount and placement of shadows is one of the things that photographers are (more or less) paid to know. But breaking those conventions is also the responsibility of a photographer because shadows and posing can do things like re-enforce gender stereotypes. I came across a website a few years back -- someone here will remember whos -- of this guy who's done a bunch of presidential portraits. he had a behind the scenes of photographing ronald reagan -- he just sat him close to a wall and put one small softbox about six inches from the President's face, aimed at a 45 degree angle and zing -- that was it. lots of dark shadows, wrinkles, drama and greatness. Power, mystery. It was probably with this in the back of my head that I lit novelist Victoria Janssen with one small Photek softlighter II http://www.kylecassidy.com/lj/2010/victoria-janssen.jpg kc On Nov 13, 2010, at 12:26 PM, Douglas Barry wrote: > > "Platoali" <platoali at gmail.com> wrote >> I don't know why, but I'm very afraid of dark shadows in Portraits. Does >> anybody have any advice to have dark shadows and also acceptable >> highlights. >> In these Portraits I use one 110x70 soft box and an umbrella. Can anybody >> point me to a good source about lighting. So I can learn more. > > Steve Bavister - Lighting for Portrait Photography is a book I found > useful. He tells you what set ups to use and shows the layout diagrams. > > Douglas > _________ > Douglas Barry > Bray, Co. Wicklow > Republic of Ireland > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information