Archived posting to the Leica Users Group, 2009/07/27[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]
None of the transparencies I showed as a commercial portfolio were copies of prints (or copies of anything else for that matter). They were all original chromes (that's what we called them) from the actual studio and location shoots (food, products, fashion and annual report stuff). Sadly, they were all stolen (probably thrown over a mountain side somewhere) along with $10,000 worth of Nikon, Mamiya and Leica gear my Shure bullet microphone and a 12 volt amp (for my harmonica playing) (probably sold for drug money $.10 on the dollar) on a sales trip to Santa Fe back in the late '80's. The Santa Fe police snickered about "solving the crime" or ever recovering anything. Broke my heart for 3rd time. Regards, George Lottermoser george at imagist.com http://www.imagist.com http://www.imagist.com/blog http://www.linkedin.com/in/imagist On Jul 27, 2009, at 2:13 PM, Mark Rabiner wrote: > But slides of my prints never cut it for me. > > I knew a guy who loved the slide pages and had his fine black and > white > prints which were made by him into 4x5 transparencies to match up > with all > the other ones shot in camera. > For continuity. So they could all be slide pages. > I think a case can be made for less continuity.