Archived posting to the Leica Users Group, 2008/12/07
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]2008-12-07-03:35:19 Mark Rabiner: > Of the vast majority of us who are getting most of our shots with DSLR's > how > many of use are FF's and how many of us are croppers? I'm not sure I entirely understand -- when you say DSLR, are you being literal, and thus excluding a DRF like the M8? Because... when I was dragged kicking and screaming into the digital age, I started using a Canon 10D. I hated it -- about 80% because it was an SLR, and I just don't generally like SLRs. I'd already established that given the way I like to work, I'm "rangefinder people", and will only reach for an SLR if I really need its strengths (super-long lenses, really close-up photography, exceedingly precise formal composition, an exact view of objects' relationships through some really wide lens). And I hardly ever need those strengths. And the other 20% of why I chafed with that early Canon DSLR had to do with a combination of the "look" of Canon glass, the slowness of certain operations, and the weird extra-tunnel-visiony characteristics of the cropped-seeming field of view, and, yes, the difference in "looks" between how lenses image on the smaller-than-35mm sensor and on 35mm film. But that was a tiny percentage of my discontent, and really not worth basing a buying decision on. Now: I use a M8 for... at least 95% of all photos I make these days. Yes, the sensor is a different size from the imaging area of a frame of 135 film. So? I just don't get the obsession with making one's digital camera adhere to that arbitrary historical convention. If a later DRF came out whose sensor were the size of that old piece of film, would I want to buy one? Sure, if it offered an overall set of advantages which seemed valuable to me -- advantages like lower noise, or better resolution and/or dynamics without an increase in noise or weird corner problems. But that mystical and arbitrary characteristic known as "full-frame-ness" is meaningless. Having said that -- the DSLR I reach for for many of those 5% of pictures I don't use the M8 for -- the ones I'm not using a silly tiny-sensor point-and-shoot for -- is a Canon 5D. Yes, its sensor is 35mm-esque "full-frame". It has advantages for me relative to the smaller-sensor Canon DSLRs which were available at the time (including lower noise at highish ISOs, usefulness of Canon lenses I like better at particular image-inclusion angles [the latter the main "full-frame" argument: at roughly comparable fields of view, I vastly prefer the Canon 35/1.4L to the 24/1.4L], and a real biggie for me: just how nice the view is through the eyehole.) The smaller-sensor Canon DSLRs have an annoyingly narrow view through the eyehole relative to the larger-sensor ones. It seems as if they use the same viewfinder magnification and just crop the visible area. Since one of my primary problems with using an SLR is the suffocating sense of visual claustrophobia I feel looking through a camera and seeing nothing but the image area, smaller-sensor cameras which increase that perception are that much worse. Now, I'm not claiming that cameras with different sensor sizes make pictures which look the same as each other when taking in the same field of view. But there are all sorts of things which make pictures from different cameras look different from each other. You just have to look at the system as a whole, and figure out what will work for you. But an obsession with "full-frame"-ness as the primary measure of whether a camera is worthy -- almost always from people who've never spent a week just working with an M8 but are glad to theorize -- bugs me. -Jeff