Archived posting to the Leica Users Group, 2008/02/11[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]
I always thought of 'stripping' as the beginning of PS: rubylith overlays, pin registered sheets of goldenrod, opaqueing ink, exacto knives, etc. Jim Nichols <firstname.lastname@example.org> wrote: Ted, Yes, we did all those things in the darkroom, but it has been so many years ago that the details get lost in the vagueness of my memory. Did you ever use one of those multi-leaf vignetting stands that were made of wood and red plastic? That was the beginning of PS. Jim Nichols Tullahoma, TN USA ----- Original Message ----- From: "Ted Grant" To: "'Leica Users Group'" Sent: Monday, February 11, 2008 12:03 PM Subject: RE: [Leica] re: does process matter > George Lottermoser offered: > > * I make variations with the computer and ink jet printer all the > time.<<<< > > > > To which Ric Carter said: > >>>Me, too, and not always on purpose;^)<<<< > > > > Hi Guys, > > Didn't we do this kind of thing when working with an enlarger, paper and > wet > trays? > > Wasn't it considered part of the creative process? Like burning in, > dodging, > paper contrast change and paper surface and weight. > > Or am I off track about this topic question? > > ted > > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information > _______________________________________________ Leica Users Group. See http://leica-users.org/mailman/listinfo/lug for more information --------------------------------- Looking for last minute shopping deals? Find them fast with Yahoo! Search.