Archived posting to the Leica Users Group, 2007/08/31
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]At 1:23 AM +0200 9/1/07, Luis Ripoll wrote: >Henning, > >I find very interesting your comments, just one of my questions is if I had >an M8, should I continue using my film cameras?, (I think yes). The other >point, about quality, for me we should differenciate colour and B&W, and >when we talk about B&W, it should be compared with a darkromm print and not >with other digital cameras, on this case I continue asking me, even the >digital quality (B&W) has been improved, if is better or not than a Baryta >print. > >Saludos cordiales >Luis > Hi Luis, My quick answer would be: for B&W, the digital M8 and film M prints are different, rather than one being 'better' than the other while in colour I would say that the M8 prints are almost always 'better'. I'm not giving up on 35mm B&W film. It's easy for me to do, I'm very comfortable with it and I like the look of it. If I want to shoot in low light, I'd use the M8 as it really makes things so much easier. The quick review of tricky lighting situations makes me a lot more confident about the shots I'm taking, and even though the M8 has noisier high ISO images than a Canon 5D, it still puts film to shame. So no more Neopan 1600, or heaven forbid, Tmax 3200. I still have a bunch of HP5+ that I'll shoot, but that will also probably not be replaced. That leaves basically Delta 100, which I shoot at 160 to 200 and Acros, which I shoot at 100 or even slightly less. Those two have looks that I can't really duplicate in digital, and they show enough detail to be competitive or better with digital. I love slides, but Kodachrome is history and the other stuff just doesn't grab me the same way. Making prints from slides, even with scanning, is a lot of work, and as I mentioned doesn't become competitive with digital until you have a really well exposed slide scanned on a high end scanner, which is a lot of money. And it still leaves you with a distinct dynamic range deficit compared to digital. That leaves colour negative. Yes, it does have more dynamic range than digital, but in general not more useable range, and things like crossover problems come up which can be hard to fix even in Photoshop, and the resolution is really not that good compared to the M8. Also, the colour films are expensive. So I only buy and use colour film in larger formats, or odd pieces like the Roundshot. So for 35mm, there is no compelling reason to shoot colour film except if you want to produce a slide show, and that is something I now might like to do for myself but nobody will pay me to do it. The cost is also prohibitive now, and I need my photo dollars to keep upgrading my digital gear. :-) I am waiting though for a good high quality and affordable digital projector! -- * Henning J. Wulff /|\ Wulff Photography & Design /###\ mailto:henningw@archiphoto.com |[ ]| http://www.archiphoto.com