Archived posting to the Leica Users Group, 2007/03/02
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]You should be able to look at a negative and make a reasonably close guess as to what went wrong. If you ever get a chance to experiment with the BW400 or XP compare it to a color neg B&W conversion. My guess is that's a better way to go. Walt Jeffery Smith wrote: > Except when I am using C41 monochrome film, I don't know if a problem in a > negative is due to under/over exposure or under/over development. There are > so many factors affecting development (age of chemicals, water quality, > agitation) and so many possible E.I. ratings of film, I finally said > "Enough!". I am going with three liquid developers with very good shelf > lives (Rodinal, Prescysol, and PMK Pyro) and, of those, I favor Prescysol > because it uses the same timings for all films and involves very little > agitation. If I let a highly controlled development in Prescysol become my > "anchor" and use ambient light measurements carefully, then I think I can > settle on an E.I. for a few good films that will work well most of the > time. > > I would like to use BW400CN or XP2-Super, but with so few labs down here > now, I would have to either drive to the suburbs or mail the film out of > town. I'll probably do the latter in Santa Fe. > > Jeffery Smith > New Orleans, LA > http://www.400tx.com > http://400tx.blogspot.com/ > > > > -----Original Message----- > From: lug-bounces+jsmith342=cox.net@leica-users.org > [mailto:lug-bounces+jsmith342=cox.net@leica-users.org] On Behalf Of Alan > Magayne-Roshak > Sent: Friday, March 02, 2007 1:18 PM > To: lug@leica-users.org > Subject: [Leica] Exposure and Development > > > On Thu, 1 Mar 2007 Jeffery Smith wrote: > > >> I made a rather sobering discovery a few weeks ago. I was using a Nikon >> RF which, of course, has no meter. So I used a Gossen digital light >> meter and used ambient readings rather than reflective readings. The >> exposure in most of the frames was right on the money, much better than >> my usual TTL reflected light frames. This made me want to use a >> handheld meter and blow off the in-camera meter. >> ======================================================================= >> ======== >> > > Mike Tatum of Honeywell used to give a talk on quality in exposure and > development. He said the incident meter was best for exposure consistency. > For part of his presentation, he showed 20 prints made from 20 frames on > the > same roll of 35mm film, shot under various lighting and contrast > conditions, > metered with an incident meter, and printed at the same enlarger settings. > They all were good. I think this might be where I first heard the advice to > set an incident meter to one-half the ASA rating for B&W, to get more > shadow > detail. > > I bought a Sekonic Studio Deluxe the day after attending the lecture, and > never regretted it. Most of my Kodachrome shooting was metered with this, > and it was so accurate that I never bracketed. All my outdoor slides were > with a polarizer, too, and I found that the 3.5x exposure compensation was > right on. Now, with digital, I still like using an incident meter. About > 90% of the time I have the 1D or 1Ds set on manual. > > Alan > > Alan Magayne-Roshak > Senior Photographer > Photo Services > Univ. of Wis.- Milwaukee > Information & Media Technologies > amr3@uwm.edu > (414)229-6525 http://gallery.leica-users.org/v/Alan+Magayne-Roshak/ > > > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information > > > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information > >