Archived posting to the Leica Users Group, 2007/02/07
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]There were six basic families of 120 TLR cameras produced by Franke & Heidecke and its successors, of which two survive into these days. There were the "original" Rolleiflex TLR's through the New Standard of 1939. These cameras had Zeiss Jena Tessar lenses and viewing lenses from OAS, the Zeiss plant at Saalfeld (new part of Docter Optic Technologies). Film loading and advance was entirely manual. There were the Rolleicord line; most had three-element Zeiss Jena Triotar lenses but towards the end they were upgraded, if the word works, to four-element Schneider Xenars <he grins>. These cameras also had manual film loading and advance. The most sophisticated was the final one, the Vb, though it was still limited by that four-element lens. There was the Automat line which featured "automatic" film loading. These sported Zeiss Jena and Zeiss-Opton and Carl Zeiss Tessars and Biometars and Planars and JSK Xenars and Xenotars in a rather dizzying array which is a bit hard to condense to a quick e-mail summary. The line started with the original Automat around 1936 and ended with the final gold and platinum plated 2.8F's in the middle 1980's. Both Franke and Heidecke sent their kids through college on the proceeds from these, and then ended up almost bankrupting themselves in pouring money back into the firm, in a manner similar to that which hit the Leitz family. There were the Postwar Rolleimagic family, a rather unfortunate marriage of a selenium meter integrated into its controls. Not my cup of tea, but some guys love 'em. These had JSK Xenar lenses. There were the Tele-Rollei and the Rollei-Weitwinkel made in the 1960's. The Rollei-Weitwinkel has recently been reintroduced to general yawns of disinterest from the Rollei community. There have been several announcements of a revival of the Tele-Rollei which would be of much more interest to that community but it, so far, has been all smoke and no fire, with claims of "it's on!" followed by "no, it's not" and the like. Finally, a simplified version of the Automat was introduced in the late 1950's as the Rolleiflex T. The current GX and FX cameras have Rolleiflex T bodies with 2.8F lenses. These cameras do not have "Automat" loading. The 2.8GX and FX enjoy a feature unique in camera history, "TTVL" (through the viewing lens) metering. Then there are the 127 "Baby" Rolleiflexes and the older stereo cameras from which the TLR was developed. Me? I only own five Leica bodies (IIIc, IIIf RD/ST, IIIg, M3 DS, and M6 Wetzlar) but I own six Rolleis (Postwar Automat Type 3, Rolleicord IV, 2.8F 12/24, 2.8GX, Prewar 3.5 Baby, Baby Grey). But, what the hey, I have two Retinas, two Ikoflices, and three Hasselblads as well, along with a few others. In general terms, the Rolleicord was the economy model. The lenses were adequate but do not measure up to the stiff standards set by the "big" Rolleis. I have never had a Rolleiflex which failed to give me great service but then, other than my two M4's, I've never suffered disappointment at the hands of a Leica, either. Marc msmall@aya.yale.edu Cha robh b?s fir gun ghr?s fir!