Archived posting to the Leica Users Group, 2006/07/10
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Doug Herr wrote: Prompted by this discussion and an off-list question I checked a couple of my 560/DMR files and found color fringing adjacent to some very bright off-center twigs/grasses etc. The color fringing was identical (green) on both sides of the twigs leading me to believe it's not a chromatic aberation in the lens, rather it's where the red and blue channels hit their limits before green did. Doug: Thanks for digging into this further. Yes, since I understand lateral chromatic aberration to be a variation in magnification with wavelength, your effect is quite likely due to some sensors running out of headroom before others. In fact, this also explains how a similar effect could occur with different film layers hitting their own limits at different light levels. It also explains why the CA correction features in RAW converters don't fix this kind of thing, since they vary the respective magnification levels among the channels (I think.) Plus, it reinforces my intuition that a lens with that much actual CA probably wouldn't produce such great images under conditions of normal exposure. I expect that a few more bits of useful info will come to light soon, but for the moment I think the collective wisdom of the list leads to the following useful ideas: 1. Watch them edges in the blown highlight areas. 2. If you see any of this stuff, attack it with the Desaturation Brush. (Once again, a great reason to feel lucky to be shooting in the Age of Computer-Based Corrections.) 3. As my hockey playing buddies say, "Shoot!!!!!!!!!!!! Shoot!!!!!!!!!!!!!!!!" Bob Palmieri