Archived posting to the Leica Users Group, 2006/05/30
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Marc, And for direct experience I have acquired two Contaces and three Kiev's, none of which worked properly. After a thorough overhaul of the III and some coaching I finally got a roll of film through the III and a 47 Kiev. The problem was that the back was relatively flimsy and the pressure plate exerted too much pressure on the film causing the take up spool to slip. I gained an appreciation for the bottom loading Leica which has always been easy for me as a cut leader does the trick every time for me. So, I have the old Sonnar and Biogon out for CLA and will soon have a direct comparison to a Leica III with the same standing; each set will have been overhauled recently so the use will be a fair understanding of both series of cameras in actual use. I will stand by the quality of lenses available in 1936. The Zeiss offerings were superior. Don don.dory@gmail.com On 5/30/06, Marc James Small <msmall@infionline.net> wrote: > > At 11:34 AM 5/30/06 -0400, Lawrence Zeitlin wrote: > > >I feel your pain. I struggled with Contaxi for years. > > > >The Contax shutter featured in the earliest boxlike Contax I and the > >Contax II is a vertical focal plane shutter which uses thin metal > >slats to get flexibility. Sort of like a venetian blind or roll up > >bamboo blind. The slats are kept in line and driven by two fabric > >tapes threaded through holes on the ends of the slat. Unlike the > >Leica shutter which only varies the slot between the first and second > >blinds to set higher shutter speeds, the Contax varies both the > >spacing and the rate that the shutter moves by means of a gear train. > >When the Contax was introduced in the 30s, Leica already had patents > >on the easy way to do things so Zeiss was forced to adopt a more > >complicated and costly mechanism. The shutter cannot be replaced as a > >unit since so much of the mechanism is integrated into the body of > >the camera. > > > >Typically what goes wrong on a Contax shutter is that one of the > >shutter tapes wears or breaks. The camera must be opened and a new > >set of tapes threaded through the slats and anchored to the driving > >spools. In an emergency, you can use nylon dental floss tapes. The > >complex gear drive should be cleaned and oiled at the same time. > >Parts for these early cameras are unavailable so if anything breaks > >except the tapes, parts must be taken from junker cameras. Some of > >the Russian Kiev parts may fit since they were made on the same > >machinery. Instruction manuals for Contax camera repair are available > >on the internet. > > > >The Contax IIa of the 50s uses a redesigned and simplfied shutter > >mechanism that is much more reliable than the shutter used in the > >older cameras. Most good repair shops will still fix this camera. > > > >The Contax II of 1936 was the first truly modern 35mm RF camera. > >Leica did not duplicate its features until the M3 of 1954. When > >introduced, the Contax theoretically had shutter speeds to 1/1250 > >second, the Leica peaked at 1/500 second. The Contax had a wide base > >rangefinder using the swinging prism system, integated into the > >viewfinder. The Leica had a less precise moving mirror rangefinder > >viewed through a tiny peephole and a mediocre adjacent reverse > >Gallilean telescope viewfinder. Speeds were set on the Contax by > >lifting and turning the winding knob. The Leica had a seperate knob > >for setting speeds and an auxiliary dial for slow speeds. The Contax > >could be loaded by opening the back. The Leica had needle threading > >bottom loading. The Contax had a bayonet lens mount. The Leica had a > >screw in mount. Finally the Contax had excellent Zeiss Sonnar lenses > >with apertures up to f1.5. The Leica had the f2.0 Summar. > > > >I don't mean to bash Leica. I'm a Leica fan myself. But in its day, > >the Contax was regarded as a superior photographic instrument. When > >Nikon copied the German cameras after WW2 they used the Contax as the > >model for the S series, substituting only the more reliable Leica > >shutter mechanism for the complex Contax shutter. This was the camera > >that established the reputation for Japanese quality during the > >Korean War. > > > >My suggestions for using the excellent Contax lenses, either scrap > >the old Contax cameras, sell them to some sucker on eBay, or give > >them to a collector. Get yourself a late model Contax IIa. These are > >available for far less than the price of having the lenses adapted to > >Leica mounts. The camera is smaller, lighter, and much more reliable. > >It will fit all the older lenses as well as many Kiev lenses. > > Larry > > For starters, the accepted plural for Contax is Contaces, to follow > Ikoflices, Ikarices, Contaflices, and Contarices. Straight Latin, it is. > > Second, the Prewar shutter is quite a bit tougher than the Postwar IIa and > IIIa shutter, which was regarded as a disappointment by Zeiss Ikon and > which never won the reputation for durability in the marketplace. It is > important to bear in mind that the Contax II was the accepted > rough-country > 35mm camera of the 1940's and 1950's and was by far the standard 35mm > camera used by combat photographers in the Second World War -- Capa, for > instance, switched from Leica to Contax following the Spanish Civil War > due > to reliability problems with the Leica. The IIa and IIIa never enjoyed > the > sort of reputation that the II and III enjoyed.. > > The Prewar shutter is much better built from quality materials, while the > Postwar shutter was built by a company without much access to quality > materials by a company operating on an extremely thin shoestring. The > Prewar shutter was designed to accomodate 100,000 exposures between > services, while the Postwar shutter was only designed to last for 10,000 > and rarely made that in practice. The big killer for Contax shutters, as > with Leica shutters, is lack of use. A regularly used Contax II or III > will outlast a Leica by a matter of years. Yes, the tapes do break but > this is much more common with a camera that has been sitting on a closet > shelf for forty years than with a camera enjoying regular use. > > There are virtually no parts available for the Postwar shutter, production > of such parts having ceased a third of a century back, while parts for the > Prewar shutter abound -- the Arsenal plant in Kiev continued to produce > repair parts well into the 1990's, and these are readily available today. > > One of the greatest myths of the camera world is the old chestnut about > Leitz holding patents on its shutter. This simply is not true, and Zeiss > Ikon and its predecessors had been producing LF cameras with focal-plane > shutters very much akin to the Leitz shutter for years by the time the > Contax first appeared in 1930. The design of the Contax was intended to > trump the Leica by producing a more flexible, reliable, and rugged design > and, by the time of the Contax II, they certainly had achieved their goal. > > All in all, a Contax II is the best of the breed and has the best VF/RF > ever used in a RF camera. > > Marc > > msmall@aya.yale.edu > Cha robh b?s fir gun ghr?s fir! > > > > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information >