Archived posting to the Leica Users Group, 2006/05/28
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Thanks Don. I'm a little short of Cezannes here to compare. Apparently they are all in your den! ;-) But a quick Google gave me the idea. I'm thinking that Cezanne had a yellow/green filter stuck in the threads of his mental Summicron, way too many compression artifacts in his paintings and his resolution was only suitable for web publication, maybe 72dpi. Understandable since the hard drives were much smaller in those days. Cheers Hoppy Feeling irreverent today Message: 25 Date: Sun, 28 May 2006 10:17:40 -0400 From: "Don Dory" <don.dory@gmail.com> Subject: Re: [Leica] scanning old Kodachromes To: "Leica Users Group" <lug@leica-users.org> Message-ID: <9b678e0605280717s18cdbe9u73f980e8af948418@mail.gmail.com> Content-Type: text/plain; charset=ISO-8859-1; format=flowed Hoppy, If your slide was stored in the dark then I would suspect little or no change in the colors. I could tell you a tale about some Ektachrome slides that are about thirty years old and probably processed in the new to that time washless E-6. The only color really available is red/magenta. Possibly why I switched to Fujichrome so long ago. But color is such a personal decision. We all see color differently. I was reminded of this when I was wandering through a bunch of Cezanne paintings with their strange palatte for skin tones. Did the color look to Cezanne like skin tone? How much impressionism was there? Anyway, keep posting. Don don.dory@gmail.com