Archived posting to the Leica Users Group, 2006/05/14

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Subject: [Leica] B&W analog-digital workflow
From: abridge at gmail.com (Adam Bridge)
Date: Sun May 14 20:29:08 2006
References: <C08DC0D8.2DFC3%dr.chippendale@kontakt-mit-linsen.com>

Good point, Christoph and definitely worth playing with.

Adam

On 5/14/06, Dr. Chippendale <dr.chippendale@kontakt-mit-linsen.com> wrote:
> Adam Bridge wrote:
> > So why use the scanner software at all and just do it in a tool
> > designed for pixel manipulation: Photoshop?
> >
> > Yes, you can adjust the input curves in your scanning software, but
> > that's no different than adjusting the curves in Photoshop.
> >
> > So lots of time spent scanning seems wasted - get the pixels in and
> > then deal with them in Photoshop.
> >
> > I'm totally willing to be convinced this is wrong-thinking but you're
> > going to have to demonstrate why this is the case.
>
> Adam,
>
> You raise exactly the point I was trying  to make when I stated here
> http://homepage.mac.com/chammann/foto/Personal35.html that I scan my B&W
> negatives as positives. I think It does matter how you scan because, like
> any digital recording medium (not different from a digital camera's 
> sensor),
> a scanner  puts the emphasis on the lower half of the light values (the
> bottom half of the histogram). Values in the higher zones get less
> differentiated. So yo get two different tonalities that can only be 
> modified
> later on in Photoshop.
> Case in point: same negative of a rock abstract, scanned as a positive:
> http://www.fotocommunity.de/pc/pc/mypics/515678/display/5652501
> And scanned as a negative:
> http://www.fotocommunity.de/pc/pc/cat/1758/display/5672679
> Excuse thew slightly different cropping. I prefer the tonality of the first
> one.
> Greetings, Christoph
>
>
>
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In reply to: Message from dr.chippendale at kontakt-mit-linsen.com (Dr. Chippendale) ([Leica] B&W analog-digital workflow)