Archived posting to the Leica Users Group, 2005/05/28

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Subject: [Leica] Re:Another camera classic bites the dust
From: philippe.orlent at pandora.be (Philippe Orlent)
Date: Sat May 28 00:58:08 2005

It was no coincidence: they saw a trend, analysed the target group(s),
understood the opportunity, bought the rights, PR-d the hype, marketed the
site. 
Have a look yourself. You will fid some of the classics you talk about, too.

http://www.lomography.com/


> From: Mark Rabiner <mark@rabinergroup.com>
> Reply-To: Leica Users Group <lug@leica-users.org>
> Date: Fri, 27 May 2005 20:10:29 -0700
> To: Leica Users Group <lug@leica-users.org>
> Subject: Re: [Leica] Re:Another camera classic bites the dust
> 
> On 5/27/05 6:46 PM, "D L" <mr.blather@gmail.com> typed:
> 
>> Believe it or not, I think Leica could learn a lot from LOMO: Here was
>> a toy that was incredibly well marketed.
>> 
>> The LOMO Club was, if I remember correctly, actually run by the
>> company that had exclusively rights to distribute the LOMO world wide
>> and it did a masterful job of selling LOMO as a lifestyle.
>> 
>> According to the hype, the LOMO wasn't just a camera, it was a tool
>> that went beyond photography (Lomography) and brought art to the
>> masses. You didn't need to spend a fortune on M4's and M lenses,
>> how-to books, or lessons. All you had to do was point and shoot and
>> you were an artist.
>> 
>> Even here in Japan people would gush when you mentioned LOMO (even
>> though most hadn't actually used one.) All of the marketing made LOMO
>> users feel part of a larger community. It made people who didn't have
>> a LOMO want to join the community. It made all of the above forget the
>> LOMO was basically a plastic toy you might get for subscribing to a
>> magazine.
>> 
>> You figure a company with Leica's history and name should be able to
>> find marketers at least half that good.
>> 
> I find it difficult that Lomo promoted itself as a cult thing and 
> succeeded.
> Such a thing is extremely hard to do and I cant think of an example where 
> it
> was pulled off. I don't underestimate the pubic "mind" you cant fool them
> they smell a rat every time on such stuff and don't fall into it. .... Not
> gullible. 
> Cults which exist to this extent have to come about naturally it seems to
> me.
> I'm sure the Lomo marketing people were not stupid enough to not take
> advantage of a burgeoning cult status their little cheap item quickly
> attained but I'd like to see where they created that from the beginning..
> And so would a lot of other marketing people like to see that.
> My hit on it is it was just made by a company who wanted to make the
> cheapest camera possible that would still usually produce an image and not
> really be considered a "toy".
> That serious artists would embrace using the term "toy" it I'm sure they
> were delighted if not surprised to find out. Perhaps despite the term.
> 
> They could of course known about the Holga.
> But it is just as possible they didn't.
> I think it was a cheap company of little sophistication. Maybe I'm wrong!
> Glad it happened despite its taking away from the wealth for the unwealthy
> of Box cameras and other simple inexpensive and even classic cameras made
> for the masses for over a century.
> I just don't believe it was planned.
> But would love to see evidence of such and be proved wrong.
> 
> 
> Mark Rabiner
> Photography
> Portland Oregon
> http://rabinergroup.com/
> 
> 
> 
> 
> 
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> 



In reply to: Message from mark at rabinergroup.com (Mark Rabiner) ([Leica] Re:Another camera classic bites the dust)