Archived posting to the Leica Users Group, 2005/05/22
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]On 5/22/05 9:11 AM, "Eric" <ericm@pobox.com> typed: > http://canid.com/current/palisades_0504_1.html > > http://canid.com/current/painting_with_grandma_4.html > > Fuji Neopan 400. Xtol 1:3. > > Comments always welcomed. > > -- > Eric > http://canid.com/ > In the darkroom 9 out of 10 people when they start out print like this. They kind of go for the gusto and be printing on 4 when they should be at 3 or 2.5. This is part of human nature it would seem to really go for it. Get those blacks and plenty of snap. After awhile, years sometimes or never, some perspective on the tonality issue is learned and they go more for the subtleties. And/or learn to dodge an burn like a sun of a gun. But you don't see this so often in our modern "print to monitor" photo blog world. Histograms kind of point stuff like that out. Could those be straight scans from machine made black and white 4x6's? Decent black and white processing on a non pro level is still near impossible to find. The film is developed by a hot spray. Not a dip and dunk. Make for negs with the total range of tonality from A to B. If that's the case I'd get back to running your negs yourself or switching to C41 monochrome films or regular color neg as these are no brainers they are not going to screw your negs up. (and is what I mainly do) Mark Rabiner Photography Portland Oregon http://rabinergroup.com/