Archived posting to the Leica Users Group, 2005/04/24
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I understand that. I'm a visual effects supervisor / compositing supervisor for feature films, here in Los Angeles. Looking at the trailer there is evidence of mismatched black levels in the composites. The cause could be poor art direction, or technical in nature. Sometimes the director will say he wants to see the face and doesn't care if the scene is only light by a single candle. Who knows, but personally I have been disappointed by the results they are getting with HD. feli On Apr 24, 2005, at 4:41 AM, Jay wrote: > I agree.....might see a difference in the one coming up. They have had > a > chance to tweak the look. > And it might just be blue screen, at least it used to be. Back in the > days > of photo chemical. > > Most of the plastic look, is attributable to the rendering of computer > generated elements, CGI, these are processor intensive. ILM has their > own > proprietary render which figures out the light in a scene and > calculates > what the light would do in the real world and then emulates that. The > 3D > elements, CGI, are rendered out and then composited with the foreground > blue/green screen elements into the final output. Compositing is done > in a > 2D world, which has a tendency to underscore any differences. (Ilm's > group > are the masters of the digital world, having been working at this > since the > late 70's - they did the first cgi shot for "Young Sherlock Holmes" - > the > stained glass knight that comes alive.) > The use of cgi has literally changed the world of film. Photo realism > is the > goal in most scenarios, seldom achieved, but striven for. > > > Jay Ignaszewski ________________________________________________________ feli2@earthlink.net 2 + 2 = 4 www.elanphotos.com