Archived posting to the Leica Users Group, 2005/04/19
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]It's a tricky issue, isn't it? The more I think about it the more complex it comes. If one is shooting in a public place, in the United States, then there is no expectation of privacy (yet). It's fine to take photographs of people holding hands, kissing, skipping, crossing the street, looking in shop windows. But we're arguing that there is a special CLASS of people who, for whatever reason, shouldn't be photographed or at least their images shouldn't be shown here and the homeless are top on that list. Why? Well I suspect the short-form answer is to protect them from exploitation of their situation since many suffer from serious illnesses which keep them from protecting their own interests, indeed they are barely surviving. But I see "homeless" all the time panhandling for money with home-made signs. I've thought about doing a project on them because I see so many around the area shopping centers (small ones mostly.) Now I believe that they are probably making a better living doing this than if they worked at MacDonald's (or so an article a few years ago in the Sacramento Bee would us understand) so they aren't pushing shopping carts around with their belongings in them, talking to beings only they see. Are THESE people under the "don't photograph the homeless" clause? Absolute rules like this are simply silly. Underneath them should be compassion. Am I caring about this person or are they just a symbol? Am I taking away from them a dignity I would give to someone else? The news folks make these kinds of judgements - or rather their editors do, I hope. I hope the news photographers are out there taking pictures and some of them are going to be factual and terrible and even cruel because that's the world, that's life, that's where we all live. And their editor worries about what's appropriate. (The controversy over the tsunami dead images in the New York Times is a case in point.) For art photographers, or street photographers, the question always has to deal with seeing people as people, because if we stop that, and see them only as objects, as just patterns of light and shadow, then we are discarding the fundamentals of interactions between people and we have changed them into things. This is the fundamental catastrophe of our time -- that we are so profoundly good at making people into things which lets us hate them, kill them, turn away from them. There ARE no rules - just compassion, and caring, and (I hope) kindness. The rest is conscience. Adam Bridge