Archived posting to the Leica Users Group, 2005/04/12
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Bill Harting Showed: >This week's picture, with no promises. > >http://gallery.leica-users.org/album93/R10_04_9A<<<<<<<<< Hi Bill, Well OK eh? You asked for it. ;-) The first thing I noticed was, although it maybe nit picking to some.... you didn't hold the camera straight! Look at the dark - light area on the back ground! It's not straight and if it wasn't such a contrast you'd have probably got away with it! But it's little things like this that take the edge off good pictures. :-( And given you had a controlled subject and nice soft window light, why have her look into the camera and throw away the potential for beautiful light illuminating her face. This could've been made very interesting simply by turning her head slightly to the left as we look at the photo and you'd have put life to the picture creating nice modelling effect to her face. Actually you'd have had beautiful Rembrandt lighting with a slight turn of the head and a far better picture right off! By the same token I'm not sure what you were attempting to do with this picture. A portrait? A modelling thing? A stylized portrait with the hand to the side of her head? Whatever? And the slightly chopped off head bugs me simply because when I see this done.... "slightly"...... instead of taking a big chunk off and cropping tighter to the face as we see in some of fashion magazines, it becomes a distraction. I think where you have a controlled subject and good light potential, it's behoving to work the situation to death with all kinds of turns of the head, body move, in tighter and really work with it. Even if you copy from magazines or other publications isn't a problem, as the experience of trying different positioning begets knowledge and in the future it makes it easier to do it without thought or publication to copy from. I'd have another go at this if the location and young lady are available again. Then come back for us to have a look! ted