Archived posting to the Leica Users Group, 2005/03/08

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Subject: [Leica] Ansel
From: richard-lists at imagecraft.com (Richard)
Date: Tue Mar 8 19:39:31 2005
References: <021e01c52338$2229c270$6501a8c0@ccapr.com> <61cf0b636c9e45c670d26fa711710d40@earthlink.net> <b5dd3591d3076ec8f605d440a9cf1376@charter.net> <e618aa91dddf48a2feb0b049aa3ac805@earthlink.net> <96a0d54328ea37d57ec9494d560c0716@charter.net> <104819bae4f6669ca1d518ce055355c3@earthlink.net> <a920fa8fde4c87265ff410669be45f35@charter.net> <00ac01c52458$1be1c4f0$aa00a8c0@ic7max3>

Per chance you meant Szarkowski? He said it as much in the "Ansel Adam at 
100" book.

At 07:28 PM 3/8/2005, you wrote:

>Did you see the last exhibit of Adam's work at MOMA during the late 1970s?
>This was a very interesting exhibit because it compared prints he had made
>in his early career to later versions he had recently printed. The recent
>versions had excellent sharpness and much higher contrast. I also think
>the
>later prints conveyed his feelings about the universe at the end of his
>own
>life. I believe John Sexton would tell you the same.

// richard (This email is for mailing lists. To reach me directly, please 
use richard at imagecraft.com) 


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