Archived posting to the Leica Users Group, 2004/11/20
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Marc, et al. I have to disagree with your statements that not doing wet darkroom work means you're not a photographer. No more would I suggest to someone who didn't coat their own wet plates, nor coated their own papers that they are not photographer. Many notable photographers hired other folks to do their printing for them. I've spent 25 plus years in my own darkroom, and would gladly hand it over to a lab rat to do for me if I could, it gets tedious dealing with the process after a point. Digital printing is a viable alternative for many of us, and having done both for some time now I have to say that there are many advantages to digital that can't be ignored, time being one of them. As I get older I have less time to waste, and digital lets me go faster, a plus in my book, while still achieving the level of technical excellence I desire. I'm currently learning Platinum printing, a beautiful technique for rendering images. I love the fact that I can scan a Leica captured slide, edit it in Photoshop and print a digital negative that contact prints beautifully in Platinum. I sure don't want to trade my Leica for a 11x14 camera! Digital has it's place, and it shouldn't be scoffed at. It will eventually replace film for many photographers. Digital output of scanned Leica negatives is a nice hybrid, allowing the best of those two worlds. Some folks like B&W, some like chromes, some like warm tone papers, some like cool tone. The "whole take that hill", "look at my scar's", "you ain't real if you haven't done what I've done" mentality ignores the content of the image in favor of the mechanism of making it, rather Hemingway in philosophy . . . but look where he ended up . . . Norm