Archived posting to the Leica Users Group, 2004/11/12
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]> So, perhaps, they are > doing in software what the filter does in the light-path, and > smoothing pixels together in some sort of way, perhaps based > upon...?? Would that it were so. Filters in the light path make the sensor see the right thing. Filters in software analyze what the sensor did see, and work backwards from that to figure out what the image must have looked like. They do this by applying knowledge of what real-world objects look like, and what kinds of images they make. What the word "aliasing" means is that without a lowpass filter, there are several different scenes that, if you point a camera at them, will result in the exact same image recorded on the sensor. A lowpass filter ensures that only one image can produce that result on the sensor. Software filters work by having a notion of "preposterous". Yes, there are several different scenes that would all produce the same sensor result, but only one of them "makes sense" from the standpoint that the camera is pointed at actual physical objects. Sooner or later somebody will point a digitally-filtered camera at a scene for which the software guesses wrong, and the resulting image will be bizarre. Oh well. Sometimes film does crazy things, too.