Archived posting to the Leica Users Group, 2004/08/01
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]B. D.: You've just articulted an unsung General Principle of Photography that the pixel peepers have never grokked. Stated simply, "Sufficiently enlarged, all photos looks like crap. And so what?" The issue is not what a photo looks like if you magnify it way beyond what anyone can normally see. The issue is how all those crappy-looking grains or squares combine in our optic nerves and brains to create the complete picture, when viewed at a reasonable viewing distance. The best education in all this is to go to any art museum. Look at some Impressionist or Pointillist paintings. But first, look at them from across the room. Only when you've fully taken in the whole picture, go right up to the painting and look at the individual brush strokes. Then you see how the parts create the whole. Next, repeat the exercise with large prints in a photo gallery. When I first got my film scanner, the first thing I did was blow the digital files up to 2x and 3x actual pixels on the screen. I was shocked at all the little random color speckles and grains I saw. I was dismayed that what looked like pin-sharp details on a print were fuzzy impressions at 3x. It took me a while to realize that if I couldn't see such things in the print, at proper viewing distance, they didn't matter. They were all in my photography before, it's just that it was not so easy to see them blown up out of all proportion. I think it was easier to appreciate this fact in the darkroom. You got your overall impression of the print in the trays. If you got too close, you'd be snorting fixer. Now, there are levels above which the fuzzies and the grains and the speckles detract from the print. And when they are just below the threshold of visibility, these small building blocks do contribute to the texture and "look" of the picture. Each one of us has our own ideas about what that critical level is, and what look we like. --Peter Klein Seattle, WA At 06:14 AM 8/1/04 -0700, "B. D. Colen" <bdcolen@earthlink.net> wrote: >Thanks, Richard - I think. But how about a reality check here...Tri-X >shot at 800 "look(s) like crap as large prints" unless viewed from an >appropriate viewing distance - just as digital looks like crap unless >viewed at proper viewing distance. I have seen images shot with a 5 mgp >sensor blown up to 30x40, and if viewed standing back - as they are >designed to be viewed - they are magnificent. Step right up to them and, >just as prints from film would look like buckets of golf balls, so to >the prints from digital....