Archived posting to the Leica Users Group, 2004/06/08
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]At 12:44 PM 6/7/2004 -0400, you wrote: >Slightly OT but somewhat related to the pricing prints thread from last week >or so....for those of you selling prints, how do you determine whether you >are >going to limit the number of prints of any particular image or not. And if >only selling a limited edition, how do you set a number? I sometimes see >folks limiting to 20 others up to 100 or so. Is the number just a matter of >throwing a dart at a dartboard? marketing? wishful thinking? > >tia >kim Kim - Here is an article about editions of photographic prints: http://bermangraphics.com/artshows/photographysrole.htm It's a marketing decision. Here is a quote from the article: As for limited editions, the older prints are not editioned because Alfred Stieglitz, Edward Steichen or any of the other photographers from that period werent editioning. Modern photographs would have more monetary value if they were in editions, but that wouldnt make them any less of an original photograph. EDITIONING IS A MARKETING TOOL that contemporary photographers started doing as early as the 1970s to basically make their prints more rare. It has nothing to do with originality. There are photographers like William Klein, Henri Cartier-Bresson and Gordon Parks, that were printing in the 1950s and are still selling prints today, that dont edition. Yet Cartier-Bressons photographs continue to increase in price and break auction records despite the fact that theyre not editioned. Tina Tina Manley, ASMP www.tinamanley.com http://www.pdiphotos.com http://www.workbookstock.com http://www.newscom.com http://www.americanphotojournalist.com