Archived posting to the Leica Users Group, 2004/05/25
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Absolutely, incontrovertibly, dead-on true. The Americans is not political. It is not at all an accurate portrait of America in the late 1950s. It is a brilliant photographic record of a Swiss photographer's road trip across America, a road trip in which his eye was drawn by the dark, the brooding, the anti-Rockwell side of America. But if anyone doubts Frank's powers as a photographer at that point in his life, all they have to do is look carefully at the photo of the New Orleans street car - sheer visual genius. -----Original Message----- From: lug-bounces+bdcolen=earthlink.net@leica-users.org [mailto:lug-bounces+bdcolen=earthlink.net@leica-users.org] On Behalf Of Tim Atherton Sent: Tuesday, May 25, 2004 3:51 PM To: Leica Users Group Subject: RE: [Leica] Beholder of the Eye - Frank > Then Robert Frank has what sort of eye? Has (after 40 years here) or had? (perhaps it's more Euro/Canadian now...) The Americans is absolutely a European eye looking at the US in that particular time. In fact it is highly unlikely an "American" photographer could have come up with anything approaching that view. The closest would be, perhaps, Winogrand's Guggenheim cris-crossing the US in 1964 - and he does indeed come to it all with a rather different "eye" from Frank. The Americans could, I think, only have been done by an outsider - this outsider happening to be a European. tim _______________________________________________ Leica Users Group. See http://leica-users.org/mailman/listinfo/lug for more information