Archived posting to the Leica Users Group, 2003/09/02
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]You make an excellent point, Larry, about times and standards changing. Certainly the journalism standards pre and post Vietnam - and Watergate - - were very, very different. I think we tend to forget that the period of roughly 1968 to 1984 set a high watermark for American journalism - a water mark that hadn't been touched before, and certainly isn't being touched now. That period was a real aberration in the history of American journalism - where the prevailing tradition has always been a variation of the tabloid TV. line - if it bleeds, it leads. However, I would suggest that the NYT is not fighting to get the Kobe Bryant materials because of the story, but because of the precedents involved. B. D. - -----Original Message----- From: owner-leica-users@mejac.palo-alto.ca.us [mailto:owner-leica-users@mejac.palo-alto.ca.us] On Behalf Of LRZeitlin@aol.com Sent: Tuesday, September 02, 2003 12:57 PM To: leica-users-digest@mejac.palo-alto.ca.us Subject: [Leica] Truth in photojournalism Eric writes: <<Your former editor was an idiot. Journalistic photos should be just as factual as crime scene photos. When they start playing around with the facts, they have betrayed the profession and their readers. Period. End of story (and hopefully their jobs).>> Eric, You are looking at journalism from a 21st. century, post Watergate, post Enron perspective. Put yourself in the frame of mind of 50 years ago, just after WW2. How many photos of kindly German soldiers did you see, even if they were carrying Leicas? How many peace loving Japanese? Journalism, photographic or print, always reflects the Zeitgeist. If it doesn't, it doesn't sell newspapers, magazines, books, or get air time. As you well know, the media is a business and you are in competition with other outlets to give the public what it wants. My editor was a very decent guy and a Harvard graduate, to boot. But he did realize that if the buyer didn't grab our paper off the stands, we would all be looking for jobs. Newspapers in t he 50s were just beginning to feel the impact of broadcast media. Remember how many print news and photo outlet went belly up during the coming years. Remember the Telegraph, the Herald Tribune, Look, Life, Colliers, Coronet, the Saturday Evening Post. Milton Berle, Eric Severide and Walter Cronkhite killed them all. Within 10 years, every photographer I worked with, as well as most of the print journalists had other jobs. Some went into TV, some were in PR, a few became commercial photographers, but most, including me, were in other professions. The journalistic standards you support hardly reflect today's media reality. Just look at the media lust for release of the Lacy Peterson autopsy or the lawsuit, supported by the NY Times, to get the Kobe Bryant transcripts. Or the Atlanta Journal publishing a picture of the "KISS" on the front page. Scandal and sensationalism sells. A media outlet that forgets it joins the Saturday Evening Post in thhe waste bin of history. Incidentally - do you have your G5 on line yet? Larry Z - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html