Archived posting to the Leica Users Group, 2003/07/15
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]There were many reasons I moved from a Nikon F4 system to a Leica M6 system, not the least of which was the weight of my full kit making me not want to bring my camera everywhere. But I certainly do appreciate the quality of the system, particularly the Leica M lenses. Now, when people are talking about the greatness of digital, and how it's catching up to film, I think about a lot of things like resolution, and scanning, etc. For example, I've scanned slides to be printed at a good lab, and they generally do 6000 dpi, for a total of about 54 megapixels. I don't know if that's really beyond the ability of a 35mm slide, such that 36 megapixels might be enough to capture all the detail in there or not. But the digital cameras available are still under 10 megapixels, which surely my slides can surpass, particularly when I like to blow things up large when I get a good shot, say 20 x 30 or even 24x36. Yes, I know medium format is better for such large enlargements, but I have some very nice and sharp 24 x 36 blowups from 35mm. Anyway, I've thought about switching to digital once they get reasonably priced for, oh, 20 megapixels. And I'm sure that day will come soon. But the question is, is the glass on these cameras of sufficient quality to make the megapixel count a meaningful number? That is, surely one 10 megapixel camera with good glass compared with a 10 megapixel camera with poorer glass should produce finer photos, no? Or is the glass of sufficient resolution such that one doesn't even need good glass to achieve the actual 10 megapixel resolution in reality? I hope I'm not confusing the issues here; my basic question is, doesn't the quality of the glass affect the quality of the camera in the digital sphere? Mark J. Rosen mjr@grok.org - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html