Archived posting to the Leica Users Group, 2002/09/18

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Subject: Re: [Leica] Cartier-Bresson exhibition
From: Carl Pultz <cpultz@earthlink.net>
Date: Wed, 18 Sep 2002 20:02:44 -0400

.....$5000 dollars a print .....

I've just finished reading "Limelight" by Helen Gee, a memoir of the days 
when she ran the only photo gallery in NYC for 7 years from 1954. An 
excellent book. Prices were unbelievable. 20, 30 dollars for masterpieces. 
Adams portfolios for $100. Only one sold!

Elsewhere, I read the most Walker Evans ever got for a print was $350. He 
sold his entire print archive for $50K in 1974. Imagine, he might give you 
one for buying him a good meal and a bottle of Cognac.

< One of these would be a lot more fun to own than some MCI-World Com stock.>

Yeah, if I had the 5 grand .....

I just read most of HCB and The Artless Art, and the Capa quote there is 
much the same as Pierre's translation. The text was over-written, and I 
skipped a lot of it, but came away thinking his work was informed by a 
knowledge of all artistic movements and he would avoid any label if 
possible, though surrealism was a formative influence, as it was for so 
many photographers then. And now, realized or not. The point was also made 
that surrealism was not just a style, but a philosophy, a belief system. 
That whetted my apatite to learn more about the movement.

CP

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Replies: Reply from "David Place" <dlpimages@earthlink.net> (Re: [Leica] Cartier-Bresson exhibition)