Archived posting to the Leica Users Group, 2002/08/01
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]It pains me to believe this - and write it - because I have enormous admiration for good documentary photography. But... First, for the purposes of this discussion let's separate daily photo journalism - providing illustrations for the written word as presented in newspapers and magazines, from documentary photography. If someone wants to change the world, documentary photography sure isn't the way to do it. Sure, Lewis Hine's photos helped bring about child labor laws - almost 100 years ago. The WPA stuff? That wasn't documentary photography, it was public relations photography, or to be even cruder about it, propaganda photography. Those photographers were sent out, by the federal government, with specific orders to bring back heart wrenching photos of poverty that would help pass New Deal legislation. As for today's documentary photographers, do we really think that there is anyone who buys a Salgado book, or goes to a Salgado exhibit, who isn't already aware of the conditions he documents, and doesn't already share his viewpoint? Who buys Eugene Richards' books but other photographers and people who are already supportive of his political agenda? No one. Take a look some time at sales figures for books of strong documentary photography if you want to be depressed - there's a reason that people have to, in the vast majority of cases, present prospective publishers with a finished project and book mockup to get it published, and don't get advances the way fiction and non-fiction authors do. Last semester a student in my documentary photo class told me he was really torn about whether to pursue documentary photography, or continue with his original plan to get a master's degree in urban planning from MIT - to add to his undergrad degree in that subject area. I asked him what he wanted to do with his life..."Help change the world," he said, with a straight face. (okay, he's young.;-) ) So what did I tell him... I said that much as it pained me to say it, I would urge him to get the MA...Want to change the world, I said, you'll have a better chance having a real impact with an urban planning degree from MIT than you will being THE documentary photographer of your era. Sad, but true. B. D. - ----Original Message----- From: owner-leica-users@mejac.palo-alto.ca.us [mailto:owner-leica-users@mejac.palo-alto.ca.us]On Behalf Of George Lottermoser Sent: Thursday, August 01, 2002 9:55 AM To: leica-users@mejac.palo-alto.ca.us Subject: Re: [Leica] Millimeters and Milliseconds >If photojournalism has made a difference to one person, it has changed >the >world. I know of many instances when a photograph has moved someone to >do >something to make a difference. I believe that Lewis Hines' work brought conditions to public attention and that some changes occured because of it. I believe the same holds true for the WPA work. Documentary photography, film, and video certainly altered my life and continues to each and every day. George - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html