Archived posting to the Leica Users Group, 2002/05/12
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I've been trying to figure out how to answer this, and I'm having trouble... Various thoughts, in the order that they come to me: 1) Make sure you want to do this. If you feel pressured and obligated you're starting with 2 strikes against you. 2) Make sure they're aware of your capabilities, and talk a LOT about expectations. Friendships have been lost over wedding pics (no joke). Look at albums together, figure out what they expect to see. Check out a couple of wedding photo books on the market for ideas. Someone coined the term "Bridezilla" for a reason -- count on seeing her sometime. 3) Use gear you're comfortable with. Don't get caught in the trap of renting a Hasselblad without being used to one. If you need to you can shoot the whole thing with a 50 or a 35 (I know lots of wedding photogs who never needed more than an 80mm lens in medium format) -- don't get too caught up in the technical details. 4) Shoot wedding film. Low contrast is key if you want details in the dress and tux at the same time. Portra, NPH, NHG-II (so I hear), Reala, etc. 5) Outdoor weddings are DARK -- plan for it. Fast film and/or fast lenses and/or flash. Carry lots of batteries for flash or carry a battery pack. 6) Plan to shoot a lot of film, as this is an uncontrolled event that you won't be able to reshoot. Figure 1,000 frames but be prepared for 2x that. Make sure you discuss costs with the B&G before the shoot (dev + proof from a professional wedding lab averages about $1/frame, maybe $0.72 per 35mm neg; dev only is like $2 per roll that you can then scan, but this is really time intensive). Maybe shoot Tri-x and let them choose images with a loupe and contact sheets if they're really on a budget. 7) Have backup equipment. Use it. 8) Take lots of pictures of the old folks. This might be the last good picture op for a lot of them, and the B&G wil likely forget to point them out as VIPs. They will expect lots of great pics later when great aunt millie dies, though. 9) Does she want a bridal portrait? Ask. If you don't, believe it or not she might assume you magically made it happen sometime during the festivities. 10) Plan the formal family groupings in advance. Have WRITTEN DOWN who they want in each grouping, and stick to the list (hard to do when everyone's anxious to get to the reception). Explain that each grouping might take 5 minutes when planning to trim the list. Use a tripod and flash for the groupings -- I don't care if you're using a Leica (shoot these on MF in you can -- when great aunt Millie dies someone may want to really blow up a group portrait because that's the best expression she had.) 11) Get to be friends with the DJ/Bandleader/wedding planner/whoever. This person can make sure you're in the right place at the right time. 12) Have fun. These things are a blast to shoot. DON'T DRINK. 13) If you want to play the leica-candid game (low light, low shutter speeds), consider doing it with B&W film. Otherwise the images you shot with flash will have a much different color balance from the remainder, and if the B&G are going to want an album (all of 'em do, in my experience, even if they talk about artsy collages and unique presentations up front) you want the images to work well together. 14) Mom and Dad's expectations are probably much different that the B&G's with regard to pictures. Shoot images to make them happy too. Think color, posed, well-lit, boring crap that matches the boring crap you see in most PPA ads (no offense to PPA photographers -- I just think it's dull). 15) You *might* want to consider something like a softar for pics of B&G + parents. See 14. 16) Have the authority to make it happen. Don't be afraid to stand up and take charge if necessary (hopefully you won't need to, but if they want shots of the cake cutting you need to be INSIDE the guests, and guests aren't thinking about pictures.) That's all I've got right now. Good luck. And no, I'm not the expert. I've shot less than 2 dozen weddings. Love 'em, but hate the follow-through afterward. - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html