Archived posting to the Leica Users Group, 2001/08/30
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]That's the way I work since almost ever. Actually I started working that way many years ago when started up making color prints. And my darkroom is also bright, full of Kodak OA safelights. - -- Pablo Kolodny www.pablokolodny.com > From: "Ted Grant" <tedgrant@home.com> > Reply-To: leica-users@mejac.palo-alto.ca.us > Date: Thu, 30 Aug 2001 09:55:08 -0700 > To: <leica-users@mejac.palo-alto.ca.us> > Subject: Re: [Leica] Focomat V-35 Question > > Matt wrote: >>> . However, I am wondering if Focomat V-35 came with a >> red filter you could slide across to block the light coming via the lens >> so as to adjust the position of the paper before printing. <<<<< > > Hi Matt, > I haven't used a red filter on any enlarger for years, as a matter of fact I > took the red filter thingie off my present leica enlarger sometime around > '72. ;-) No I can't find it I think it eventually got thrown away. > > Here is the plan: > > Put neg. in enlarger > darkroom white lights out, > lots of darkroom yellow lights on > turn on enlarger > adjust paper easel and enlarger head for correct enlargement and focus > turn enlarger light out > place paper in easel hit timer button for enlarger light, make exposure > take print to tray and develop. > > The problem with many darkrooms is the owners really believe they have to be > "dark!" Like you can't see anything once the white light has been turned off > and they don't have to be like that. It's like being in a very very > yellow/brown darkened dungeon and doesn't help your eyesight at all! > > They can be as bright as you like by raising the light level to a point as > long as it doesn't fog the paper. In my darkroom visiting photographers > usually remark, "WOW! is it ever bright in here!" Well it should be as > bright as the paper can handle before fogging. > > And that's easily ascertained by putting a piece of paper by the enlarger > table with some coins on it, expose for a few minutes with just the darkroom > lights on, then develop as though it's a print. You shouldn't have coin > marks showing. If you do get coin shadows after three minutes development > move the lights higher or farther away or cut back the bulb wattage inside > the yellow light. > > But a darkroom should be bright enough to see what you are doing in any part > of the room and if it isn't it should be. I always end up with a headache > after any length of time constantly straining to see in the dark. > > Save your money, don't buy one of those red filters you don't really need > it. Buy a roll of film instead.:-) > ted > > Ted Grant Photography Limited > www.islandnet.com/~tedgrant > ----- Original Message ----- > From: "Matt Kollasch" <matthew.kollasch@uni.edu> > To: "LUG" <leica-users@mejac.palo-alto.ca.us> > Sent: Thursday, August 30, 2001 7:01 AM > Subject: [Leica] Focomat V-35 Question > > >> Now that I have my darkroom up and going, I have a question about my >> Focomat V-35. I bought by V-35 a few months ago and fired it up last >> night. Works fineOn other >> enlargers I have used this has been a useful tool. There appears to be >> a place to mount on the V-35 (a rod w/ a screw on the end of it). If it >> did come with one, I'd be interested in getting pointers on where to buy >> one. I will also be looking for a 3rd party solution. Thanks. /matt >> >> >