Archived posting to the Leica Users Group, 2001/03/23
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Johnny Deadman wrote an eloquent post conluding with: >So in photography. The 'apparent' snapshot convinces us of something, a fact >or an emotional truth, precisely because it *looks* like a snapshot. But >that doesn't mean it isn't a riot of formal concerns, nor that massive >efforts mental and physical didn't surround the taking of it. Just that it >looks like a snapshot, and doesn't wear its effort on its sleeve. > >That doesn't make it a snapshot. This carries beyond the snapshot ethic into what any photograph might be. Any photograph (constructed or found) might convince us of a fact or emotional truth. They can be slices of time, quotes from life - bearing weight and depth. The successful ones do this well. Even the snapshots. Which is the long explanation of "if its a good picture its a good picture" Henry