Archived posting to the Leica Users Group, 2001/03/18
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]> 2) The M3 is more beautiful, and of superior craftsmanship. No, > you cannot > measure this in the lab, but it's as close to a fact as any aesthetic > judgment will ever be. I believe the craftsmanship part isn't subjective, and can be determined to some degree. > 4a) (Scientistic types love this kind of 4a, 4b thing...) Let's see your > test of the Zeiss 50/1.4 for the Contax SLR, which -- probably because it > bests the Leica equivalent -- you dismiss in a single sentence, with no > argument, much less quantitative analysis. This lens is > considered a marvel > of engineering by virtually everyone who has ever worked with it or tested > it (although I don't much like the bokeh -- no concern to you); why do you > simply dismiss it? It is a sharp, but somewhat lousy, lense...as you said, I don't like its bokeh. > 6) Current standards of industrial design at Solms are abysmal. Dull, > uninspired, generic, often downright ugly. I think the R8 is actually pretty slick looking. I don't like that it's big, and doesn't contain a motor drive in and of its current package...but it looks really nice. > My new Elmarit-M > (which I shall > be returning, as it is sub-standard in construction), is *a > tube*. I'd love > to hear your reasoned defense of the unadorned cylinder as a > masterpiece of > contemporary design. I'd have to say that designing a lense for looks is kind of silly, I'd prefer it to perform than look good not performing... Just how much esthetic design do you really think one can do on a lense? > Your response is entirely > tangential to > the discussion at hand, and accomplishes nothing. I've heard that somewhere before.... > solipsistic Thanks, I actually had to go look that up!