Archived posting to the Leica Users Group, 2001/01/11
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Hold the print in one hand, loupe in the other, eye on the loupe, and the light source (window, lamp, sun, whatever), to the OPPOSITE side of your hand. This way neither your head nor you hand blocks the light. That is why the skirt is translucent. So the light can come in from the SIDE. So position yourself so that the light source has an unrestricted path through the skirt on to the contact sheet image. You can even lay the sheet on a table and put a lamp to the proper side. Any kind of lamp. Or window light. Just make sure the source is opposite your hand and your head. Jim At 03:58 PM 1/11/01 -0600, Robert D. Baron wrote: >Now that we've decided what kind of loupes to use: what kinds of light >setups do folks use? > >More specifically: if I'm using my loupe with the translucent skirt to >examine a contact sheet that is on my desk, when I lean over it I block >the light. > >If I hold the contact sheet up so it gets good light I can't mark on it >or use my 2-in-one cropper masks (a cardboard sliding device sold by >Adorama that frames to 5x7 or 8x10 proportions). > >I suppose I could set up a drafting table with low lights on either >side, but that seems a bit overkill. > >--Bob Baron / Oklahoma City