Archived posting to the Leica Users Group, 2001/01/10

[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]

Subject: Re: [Leica] The Joy of the Darkroom and Thanks!
From: "Dante A. Stella" <dante@umich.edu>
Date: Wed, 10 Jan 2001 21:23:28 -0500
References: <B6821A64.4139%howard.390@osu.edu> <3A5D1035.CB15FC0@sympatico.ca>

It;s actually the only reason for the Leica experience.

Lots of  prints tonight
My bell bottom cuffs are wet
Fixer stains for life

Dante

Vick Ko wrote:

> Welcome to the dark side.
>
> It absolutely rounds out the Leica experience.
> Don't worry about the smell - it will grow on you
> like a comfortable fragance.
>
> Martin Howard wrote:
>
> > I finally, no FINALLY, got my bathroom darkroom working last night.
> > Squeezed around a Valoy II enlarger I found for $30 (minus negative carrier)
> > I dug out some negatives from this summer's trip along the West Coast, mixed
> > up the developer, stop, and fixer (ahh -- I wonder if the smell will ever
> > get out of my shower curtain ;) and set to work.
> >
> > First off, this is the first darkroom I've owned.  I've worked in darkrooms
> > before, but not much.  I used to belong to a university photo club in
> > Sweden, but for various reasons (mostly to do with lack of photography) I
> > never really made much use of their Focomat V35-equipped darkroom.
> >
> > Until two days ago, I never understood the basics of how to make a print --
> > which is odd, because I must have read a dozen books on the subject.  Sure,
> > I know all about masking, dodging, burning, etc., but the basics of how to
> > get a good straight print eluded me.  That is, until I reaffirmed my
> > subscription to Darkroom Techniques and they sent me a little complementary
> > issue entitled "Mastering the Fine Art Print", or something to that effect.
> > In it, Howard Bond, whose esoteric articles I usually can't follow, wrote
> > something that made everything absolutely perfectly clear.  Expose the paper
> > for a textured highlight.  Control the placement of shadows by contrast
> > (paper grade).  He then went on to divulge a quick and easy technique for
> > making a first test strip -- to zero in on that textured highlight.
> >
> > I owe Tom A a lot -- more than I'll ever be able to pay back -- in terms of
> > time and knowledge he has so graciously shared, but also in terms of
> > equipment which he has been so generous to lend or give to me.  I'm
> > borrowing my enlarger lens, a 50mm Ross, from him, and judging by the
> > results, I don't think he's going to be getting it back any time soon! ;)
> >
> > Another piece is an Ilford darkroom exposure meter.  On one of my trips to
> > Vancouver, I spent an afternoon trying to figure out how you'd use it.
> > Ilford's instructions (find a mid-level grey tone) seemed pretty silly, but
> > together we figured out that using it to meter for a textured highlight at a
> > known time would be much better.  And it sure is.  Having got a good first
> > print, I measured the textured highlight and recorded the setting on the
> > EM-10 at the exposure time of 10s.  Now, I just pop another negative under
> > the enlarger on a textured highlight, set the EM-10 under it at the
> > calibrated setting, twiddle the aperture until the little green light comes
> > on, and I know that if I expose at that setting with that filter for 10s,
> > I'll get my highlights placed exactly where I want them.  It's increadible.
> >
> > Anyway, the hours flew past, and at about 1am, delirious and exhausted from
> > running back and forth between closet (expose), bathroom (dev, stop, fix,
> > pre-wash) and kicthen (final wash) I went to bed with a smile on my face.
> >
> > I know that many of you on this list have been so very generous with your
> > knowledge over the years.  As a small token, I offer you a scan of my first
> > print.  In many ways, you're all its fathers and mothers.  I was but the
> > midwife ;)
> >
> >         http://www.ida.liu.se/~marho/photo/other/sfchess.html
> >
> > Technical data: Leica M2, 35mm f/2 Summicron (pre-asph), Fuji Neopan 100
> > developed for 15min @ 72F in Rodinal 1:100, nameless variable contrast RC
> > paper with perl surface (I suspect it's MG III), 2 min in Multigrade paper
> > dev.
> >
> > M.
> >
> > --
> > Martin Howard                    |
> > Visiting Scholar, CSEL, OSU      |         53 kB/s and nothing on.
> > email: howard.390@osu.edu        |
> > www: http://mvhoward.i.am/       +----------------------------------------

In reply to: Message from Martin Howard <howard.390@osu.edu> ([Leica] The Joy of the Darkroom and Thanks!)
Message from Vick Ko <vick.ko@sympatico.ca> (Re: [Leica] The Joy of the Darkroom and Thanks!)