Archived posting to the Leica Users Group, 2000/12/26
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Pascal I think all of this is an over simplification. I believe one's sensitivity to so called boke depends strongly on the type of photographs one takes. In sports and macro photography much of the frame is oof, usually the majority in fact, and if there are highlights in this oof area the amount to which they draw the eye away from the subject is important. If one uses 35 and 50 lenses wide open and at relatively close distances the requirements are the same. If you shoot at smaller apertures and wider angles - or mainly flat subjects orthoganally - there will be less of the photograph oof so that its nature, if noticed at all, will be of less importance. OTOH perhaps one could just avoid all subjects with "messy" backgrounds! Canon seem to have studied the whys and wherefores and in their book EF Lens Work II they simply say that the closer together the Meridional and Sagittal curves are on the MTF curve on the lens the "more natural" the background blur will be. I have only seen their MTF graphs though so comparison with other manufacturers is difficult using this parameter. Their long lenses are sharp with lovely boke. Some say the fast long Leica lenses are better but I've only seen pictures from the slow ones. I do not personally have a very great experience of many different lenses having used Agfa, leica screw, Leicaflex SL2, Contarex, Olympus OM, Leica M and Canon EOS in 35mm, I have just bought a used R8 but stupendous ergonomics (cf EOS) apart I haven't got enough experience of it yet. I did however try Nikon and found despite much prefering their quality of manufacture over Canon I could not get on with the "wrong way" focussing direction! I have bought several of the Cosina/Voightlander lenses (12,15,50,75). The only one I don't like is the Nokton 50, it is unusable wide open for me so a bit pointless as a fast lens on a rangefinder, not even brighter for focussing! Thankfully I only got it whilst my 15 year old summilux had a cla. I love the others (which anyway have no Leica equivalent) In Leica I use 21 asph., 24asph, 35f1.4 aspherical (old type), 50 f1.4, 75, and 90 thin TE. You can see from this that I am not a particular supporter of the old lenses but, boke is VERY important to me. I have not noticed the poor boke Dan Honemann mentions for the 35f1.4 asph perhaps the newer version is in this case less good than the original? My summary of mu lenses is 12 to 21 not really relevant, 24 magic, 35 magic (used 75% of time), 50 & 75 same & lovely, 90 fine. I tend not to use the 75 f1.4 much because of size & weight. I do not think we should use boke, important or otherwise, to fuel the debate as to whether the more modern lenses made by Leica are superior. I am sure they are, though it is also clear that earlier in Leica's history new lenses were released because a less expensive way has been found to achieve the same performance. In any case I don't question the lens unless there is something I don't like about the photograph which wasn't clearly the photographer. I find the biggest reason why my Leica M pics are my favourites is that I take it with me. I look at the EOS and think too big and leave it behind - I'm afraid the R8 is falling into the same category. happy New Year to all, Frank > >>Not the first thing that would occur to most people; >>but it seems to definitely occur to some. >>For many of those it's a great excuse to use older cheaper optics while >>denigrating the current expensive ones. >>The less you want to spend, the more the "ground" assumes dominance over the >>"figure" in the figure/ground was of viewing things. > > very well said, I think you made the point eloquently > ;-)