Archived posting to the Leica Users Group, 2000/11/07

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Subject: [Leica] E pluribus unem
From: imxputs@ision.nl
Date: Tue, 07 Nov 2000 13:50:41 +0100 (CET)

Photography is partly craft, partly technique and partly art. Tools and 
techniques in photography allow a remarkable and intriguing versatility of 
style and content of the images produced. We can select emulsions that support 
high resolution imagery, we can use emulsions that maximise grain impressions 
or we can use techniques to lengthen the tonal scale. In fact the variety of 
options is endless as every element in the processing chain, camera, lens, 
film, developer, enlarger, scan, digital print has its own bandwidth of 
options. We can freely mix any element and choose within every element any 
characteristic that is available to produce the image we want and are proud of. 
If someone wishes to mix elements and characteristics that exploit maximum 
resolution, fine. If someone wishes to select elements and techniques that 
allow pictures in the style and atmosphere of the great street photography 
masters, fine. Non is inherently superior, both are valid and on equal footing. 
If one wishes to mix definition and tonal scale to produce pictures like Helmut 
Newton's BIg Nudes with 35mm equipment, fine. If one fully concentrates on 
pictures to the art part and uses the tools to produce imagery that is in the 
tradition of currently accepted forms of the visual arts, fine. 
There is no way to fix or define which of these endless combinations of 
possibilities is closer  to the  nature of photography. Remember that in 
painting Van Gogh and Matisse were loathed by established art critics as 
cannibalising the true art of painting, because they stepped outside 
established and time honored bounderies. There is no way to predict or even to 
define what a photograph should look like or what content it should have to be 
a true representative of the art of photography. 
Photography in general (and Leica photography is included) is a true liberal 
art: anything goes as long as the starting point is a mechanical device to 
reproduce a slice of time/space.
 From my viewpoint is photography with a Leica pure fun and I freely share my 
pleasure and experience in pursuing my goals with anybody who has the same 
goals or is interested in what I am doing. 
The Prime Directive states that we should accept any culture as it is and let 
any culture develop its own way and according its own rules. Of course we can 
study such cultures, exchange knowledge and expertise to enhance our own 
pursuit of exploring bold new worlds. 
Maybe we should adopt this approach on the Lug: instead of ridiculising or 
negating what we do not like, let us be more open. If you take pictures in the 
HCB style, and someone presents a different approach (hi-res photography as 
example), you might inquire if there is anything in that appraoch that can help 
you make better pictures, in stead of negating that approach as being out of 
scope. The other way around is true to: the Zone System can be a boring 
exercise in a technique, but it can also enhance your visual awareness and 
technical capabilities. And using a film as TP may be used in the wrong way by 
someone to produce pictures without any content, that does not imply that TP 
could not by its very characteristics add to the expressiveness of an image. 
And a technically perfect picture could be made more interesting by trying to 
add some visual creativity in the image. 
Could we not learn form each other and stop trying to carve up the vast field 
of photography in watertight compartments where trespassing is not allowed?

Erwin