Archived posting to the Leica Users Group, 2000/11/04
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]"This, to me, is why autofocus is useless to the photographer-artist, commercial/illustrative photographer, amateurs who want to control what gets put on the film, etc." To state it as politely as possible, balogna. Autofocus is an extremely useful tool for the precisely the above-named types of photographers. As a 30-year commercial/illustrative photographer whose book, Rock City Barns: A Passing Era won the Benjamin Franklin Gold Medal as art book of the year in 1997 (look it up at amazon.com), I use Canon's Custom Function 4 to make my EOS A2s into electronic Leicas. Simply disable all focus points except the center one, point that at whatever you want to be in sharpest focus, press the thumb button, and release it. Focus is locked on that point until such time as you are ready to focus on something else. You can shoot as much as you like, bracket exposures to your heart's content, and the focus stays right where you put it. When aging eyes forced a move to autofocus in the early 90s, I first tried Nikon for about a year. The focus-hold-down-the-shutter-release-reframe-and-shoot dance drove me up the wall, and the 8008s and 6006 Nikons hunted for focus like a pack of hound dogs. Then I learned about Canon's Custom Function 4. My first EOS locked on focus like a bulldog, and I've never looked back. I don't use auto-exposure much, preferring to get my information from a Minolta incident meter. But autofocus is a wonderful creative tool if you're the decision maker and not the camera. If your autofocus system doesn't allow you to control what goes on the film, you have the wrong AF system. Dave Jenkins