Archived posting to the Leica Users Group, 2000/10/01
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Thanks very much to Tim Spragens for posting two of my photographs at the following link: http://www.borderless-photos.com/hellman/hellman1.html The first is, I think, typical of what makes the 50mm so useful on the Leica (this was taken with the 0.85). The bright line frame makes it possible to monitor what is just outside, and the fact that all is in focus helps awareness of the background (the woman at the upper left and the pattern of the stones). I prefer the 50 for all around use to the 35, maybe because I do a lot of portraits (where the 90 is very useful for tight framing), but maybe because it fits more closely the way I see. When I travel (which has recently been confined to Italy, which for me feels like being confined to Eden) I usually carry two bodies, the second almost always with the 21 Elmarit. No lens changing. I had metered the sunlit columns in the Pantheon when I first walked in, walked across the room and took this when I saw the man entering the sunlight. The bright line finder allows extremely precise positioning, as of the opening of the roof (which supplies all the light), and the woman on the left looking up. I made a 20 inch print of this. Both pictures are on Tmax 400. Jesse Hellman