Archived posting to the Leica Users Group, 2000/09/13
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Does Craftsman have an M-mount body?.....Damn, I like their warranty... ;) :) :) Walt On Wed, 13 Sep 2000, B. D. Colen wrote: > You know, guys, some world-class photo journalists and documentary > photographers work with auto equipment - over which, of course, one has > total manual control - and do far more meaningful and esthetically pleasing > work than the vast majority of Leica M and R users. And, by the same token, > a small number of Leica M and R shooters, working entirely in manual mode, > do far more meaningful and esthetically pleasing work than the vast, vast > majority of folks using autoeverything cameras. We're tallking about TOOLS > here....some people like and use Stanley; some like and use Craftsman; some > use nothing buy power tools; some use nothing but sweat powered tools. > They're all tools. > > B. D. > A User Of Both Manual Photo Tools > http://www.a-day-in-our-life.com > A Day In Our Life... > Documentary Photography > of American Families > > > > -----Original Message----- > > From: owner-leica-users@mejac.palo-alto.ca.us > > [mailto:owner-leica-users@mejac.palo-alto.ca.us]On Behalf Of > > Krechtz@aol.com > > Sent: Wednesday, September 13, 2000 12:39 PM > > To: leica-users@mejac.palo-alto.ca.us > > Subject: Re: [Leica] RE: Re: My last word on Hexar, really. > > > > > > In a message dated 9/12/00 9:43:04 PM Eastern Daylight Time, > > jim_brick@agilent.com writes: > > > > << The Leica M will persist and continue doing an > > incredible job of providing just the right tools for those photographers > > who want to practice the craft of photography by exercising complete and > > total control, at all times, over the photographic process. > > >> > > > > I would add that in my experience the only consistent advantage that > > automation, in any form, when it is working optimally, confers is > > speed. It > > can and often does slow and even interfere with the photographic process > > under conditions that are not within its design parameters. > > To work like HC-B, one should still employ the same methods he > > used 50 years > > ago. It is still best to set the exposure and focus prior to > > bringing the > > camera up to shooting position. Otherwise, the opportunity can > > pass while > > the autofocus searches, possibly in vain, or the photographer desperately > > tries to adjust the automated exposure to compensate for the bright > > background that simply wasn't behind his or her moving subject a > > moment ago. > > This has been my experience, at least. > > Given the latitude of today's negative emulsions, both color and black & > > white, what purpose is served by fretting over whether meter accuracy is > > within .1 stop tolerances? With chromes, which I regularly shoot > > with the M > > system, for critical work bracketing is desirable if not necessary, with > > virtually any camera system. > > IME, the real long term effect of automation is to make the photographer > > dependent upon it, forget basic skills and, in the process, lose > > the "edge" > > needed to obtain the best possible photograph under any given set of > > circumstances. Again, I speak in terms of what is generally understood, > > particularly by the members of this group, as "classic" Leica RF > > photography. > > It is a long recognized genre, in and of itself. Theoretically, > > it can be > > done well with almost any 35. In practice, almost any Leica clone works > > reasonably well. However, as so many of us have learned after > > years of trial > > and error, it can be done best only with the admittedly imperfect and > > "technologically challenged" Leica itself. The whole - body, lens and > > accessories - is greater than the sum of the many parts. > > Is the Leica all things to all dedicated photographers? No - > > certainly not > > since the popularization and automation of the SLR. But it is > > still best at > > being a Leica, without apology; and it is still best at giving the Leica > > photographer what he or she needs, without distractions. > > > > Joe Sobel > > > >