Archived posting to the Leica Users Group, 2000/08/01
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]In a message dated 8/1/00 12:38:54 PM Eastern Daylight Time, bobwalkden@hotmail.com writes: << 'm planning to buy one or other of these, preferably a 50mm chrome Summilux post s/n 1844001, for my M3. I've had various comments which claim that the optical quality is noticeably inferior even at small print sizes to the equivalent Summicrons, and that mechanically they are also poorer because of soft aluminium (aluminum) used in the gears and cogs and things, but others which claim that the 'luxes are, if anything, better optically than the 'crons (of course they are at 1.4). >> From my experience, from f4-5.6 on down you'd be hard put to see any difference, but at f/2 and f/2.8 the Summicron (I speak here of the post-1980-to-current version) is visibly better in all respects: center and edge sharpness, overall contrast, and freedom from flare with bright lights in the frame. It's also lighter and cheaper. If you absolutely need f/1.4 you need the Summilux. If you can live with f/2 the Summicron is the clear winner. In fact, in my opinion there's less of a quality loss in going to a 1-stop faster film with the Summicron. Of course if you're already shooting ISO 3200 film pushed 2 stops...but then, why not get a Noctilux?