Archived posting to the Leica Users Group, 2000/06/28
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]>>>>> Date: Tue, 27 Jun 2000 20:42:30 EDT From: ARTHURWG@aol.com Subject: Re: [Leica] Photo Impact Message-ID: <38.7d4b840.268aa3f6@aol.com> References: Rob: I met a young photography student at ICP last year who did a wonderful photo essay on prostitution by profiling one such woman she managed to befriend. The color sequence examined every aspect of her (the prostitute's) life, her paying customers and her friends. She was kinda a high-class call girl, not a street walker so I guess it was easier in that sense. But the essay was really sensational. BTW, on my last trip two trips to Italy I was surprised to see so few street walkers, as compared to the situation in the late 1960s. Arthur <<<<<< Well, I don't know where you were, but here its crawling with eastern European and nigerian girls. The nigerians - who this story was about - cost $15 a shot and work in particular areas (industrial estates, along main out-of-town roads) in their - literally - hundreds. It's a booming business, although Modena is no longer so hot as it was. Since most of them are underage (13 to 17 years old) and are effectively slaves, controlled by the new boys in town, the Albanians, who are extremely violent, there was no way I could befriend them. Especially as I had only a couple of weeks to research and shoot the story. It was a stressful and depressing thing to have to do. The commissioning magazine had asked me to do exactly what you describe, meet a couple of girls, photograph them on and off the job, etc. But no-one was playing. Nice girls, just no pictures. They are afraid of being - as happened to one young girl who had got pregnant - disembowelled or otherwise beaten to death. The Albanians don't mess around. Obviously independent prostitutes are a different proposition altogether. And in that case, the whole story is right there, in the girl herself and her clients. In this case the story was about slavery and the traffic in human beings, and the pictures just didn't - and couldn't, in my opinion - tell it. You'd have to spend years and risk your life to do it. One reason I respect anyone who takes the risks N and McC do to get the pictures. Rob. Robert Appleby and Sue Darlow Via Bellentani 36 41100 Modena Italy Tel/fax [39] 059 303436