Archived posting to the Leica Users Group, 2000/02/24
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]B.D. >>I think you are ABSOLUTELY under the most basic of ethical obligations to inform the editor that you used a prop, rather than a live snake.<< Actually, it's interesting that you should mention that. My first degree was in Journalism. I studied ethics and I place a high value on credibility, especially in relation to hard news. I was hired by a large advertising agency right out of college. I worked on a number of large agri-chemical accounts. Sometimes my work would be published in internal publications and sometimes it was submitted to outside publications. Everything went through legal. The only thing they held me accountable for was to make certain that quotes and references were correct. I submitted copies of my final drafts to all my sources and had them sign off. Something I'd never do as a hard news reports. But most of my work was considered editorial, rather than hard news. (The closest I got to hard news was the spraying of pot fields in Mexico with paraquat. It was fascinating there to see what went on behind the scenes). Legal never asked me about photographs, and like I said, I wasn't always aware where they'd end up. I saw my articles appear several years after I left the agency and somebody else captioned my photographs. (Even years later in garden publications since Ortho was my main account) Should photographs be handled differently if they're news, or for illustration, or art? And where do you draw the line? I've heard stories about Wegee (did he ever own a Leica?) and he didn't always caption his "staged" photographs. Sorry if this is drifting too far. I'll drop it, but photographic ethics is an interesting topic. David