Archived posting to the Leica Users Group, 2000/02/17
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Well said. I just hope you are not insinuating that his use of Leicas his somehow related to the significance of his photography! Dan C. At 08:43 PM 16-02-00 +0000, Mike Johnston wrote: >Why is it that we can discuss the minutiae of finders and serial numbers >interminably, but as soon as we have a decent discussion going about >art--or just about a photograph or two--it deteriorates into a series of >woeful puns about cow udders? I knew this was going to happen. This, or >something like this, always happens, and not just on the LUG. It's the >internet equivalent of a collective nervous fit of the giggles. > >I really am puzzled about why it's so difficult for people to discuss >aesthetics. > >It happens in the magazine, too. Every time we make a brief, >responsible, and conservative foray into discussing actual >accomplishment, the 'why' instead of the endless 'how,' we get letters >from people pronouncing it 'fluff' or 'filler' and exhorting us to get >back to 'solid technical information.' > >Well. > >Eggleston uses Leicas, not Hasselblads. He was born rich and continues >to be rich and has many very beautiful and rare antique Leicas. He also, >according to one essay about him, has two wives in two houses and often >answers his doorbell holding a pistol. Another of his passions is >building loudspeakers, and his son, also called William, owns a company >called "Egglestonworks" that builds an extremely expensive speaker >called the "Andra" that won an award from _Stereophile_ magazine a while >back. > >Eggleston is a significant photographer. Some people even like his work. >And if you don't, well, _you_ go try to sell your "bad snapshots" for >$4,500 a pop. Better than having to dress toddlers as daisies any day. > >One day I'm going to start a newsletter that will discuss _only_ >aesthetics and accomplishment, and questions about what one's tripod >legs should be made of will be the ones that elicit the hoots and >raspberries. > >End of Eggleston discussion. Let's get back to something vital like >frameline brightness, the durability of camera coverings, whether we >should or should not use filters, or our preferred camera straps--i.e., >the important things about photography. In the meantime, I can enjoy >these dazzlingly brilliant and creative bovine puns, which I find >delightfully entertaining and so very worth my time. > >--Mike > > > >