Archived posting to the Leica Users Group, 2000/02/16
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Bego; Thanks for your reply regarding XP-2. You are right to say that grain is not a bad thing. In fact, it can be desirable. I'm trying to understand how best to use chromogenic b/w films. Having film developed at a lab is certainly more convenient. It's true that I give up control. But I shoot under such a variety of conditions that I very rarely deviate from standard development in 35mm. The biggest issue for me lately has been time. I haven't had the time to do my own b/w processing. I'll get behind a dozen or so rolls. Developing then becomes a chore. When film stacks up it takes away my desire to photograph. With XP-2 I can just drop it off and pick it up. Chromogenic films certainly have a different look. But Delta 3200 looks different from Delta 100, too. And one isn't neccessarily better than the other. I'm not convinced that film makes that much difference. (At the same time I admit that I've spent my share of time trying to prove to myself that it does). It's the final photograph that counts. In the end most people don't look at a print on display and ask what type of film I used. The average viewer isn't that technical. They see b/w or color, and that's as far as it goes. Case in point; I was looking through Osterloh's book on Leica M recently. I contains a b/w photograph of two young girls behind a rain covered window. The photograph was taken on chromogenic film, but I had no idea until I looked at the caption. I've come to accept, too, the fact that my photography is changing. For every one print I make I'll probably scan a dozen and send them to friends. And that ratio is growing. As much as I hat to admit it, that seems to be the trend. David