Archived posting to the Leica Users Group, 2000/02/11
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Hi all! I'm new to this list, and new to Leica: just traded a raft of Olympus OM gear for an M2. I think I'm going to feel at home here: I may be the last working photographer in Manhattan to shoot almost exclusively with Rollei TLRs (a 2.8E Xenotar and a 3.5E Planar, both from the late sixties). So it makes sense to have an M2 as my 35mm alternative. My work is primarily travel photography, although I'm increasingly doing portrait and fashion work. (For five years I've written and photographed virtually all of New York Magazine's travel features, although that association looks to be drawing to a close.) The M2 is a lovely user: it has the button rewind and no self-timer, but the frame preview lever is there. It's with Professional Camera Repair in Manhattan for an estimate at the moment; the first curtain drags -- and occasionally sticks -- at one second. The speeds, however, seem dead on, and the viewfinder's bright. Now I have decisions to make. I don't have a lens. The last thing I need is another normal lens, what with the Rolleiflexes. I may buy a cheap Summicron Dual Range, without the eyes -- maybe even one with scratches or separation, so I can fool around with flare. (I know this is heresy). But I'm increasingly drawn to the new Voigtlander/Cosina lenses. Has anyone tried the Voigtlander 35mm aspherical? How does it compare to the various generations of Leicas? (Call me vain, but I want to put a chrome lens on this camera.) I'd like a Heliar -- in fact, that would be the most useful lens for me at the moment -- but it seems a waste of this body to use an uncoupled lens. I was thinking of perhaps finding one of the Leica III series bodies, and dedicating it to the 15mm. Which makes the best user? (I sense the IIIg is pretty expensive.) Anyway, good to be here. I'm looking forward to owning a rangefinder again. (Used to have the first generation Hexar.) cheers, Douglas Cooper